Copyright

Donna L. Ferullo; Dwayne  K. Buttler

doi:10.5771/9781538168226

Copyright

Best Practices for Academic Libraries

1. Edition 2023

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doi.org/10.5771/9781538168226
ISBN print: 978-1-5381-6821-9
ISBN online: 978-1-5381-6822-6
Rowman & Littlefield, Lanham Rowman & Littlefield, Lanham

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Abstract

Finally: a plain-language guide to best practices for the complex world of copyright management in academic libraries.

Copyright issues continue to perplex librarians and educators. The difficulties and confusion in applying the U.S. Copyright Act became especially apparent when Covid hit and many universities turned to remote learning as their primary method of instruction. Librarians and educators struggled with applying the law for both remote learners and students who were on site. This book provides advice on how to analyze and apply the copyright law to specific areas encountered by librarians and instructors.

Coverage includes:

Controlled digital lending is a very hot issue and confusing to many as to how copyright could apply in those situations
remote learning do’s and don’ts’ is at the forefront of copyright concerns which was highlighted during the pandemic
The application of copyright to music in light of recent changes to the U.S. Copyright Act has caused much confusion. Analysis of the new law and strategies on how to include music in a curriculum as well as how libraries can provide access and preservation of musical works.
Open access initiatives have become increasingly popular. However, open access does not mean that there is no copyright attached to the works.
The use of data is exploding as are the copyright issues associated with it. We will examine the issues and provide options.

Written by Donna L. Ferullo, the Director of the University Copyright Office at Purdue University who holds both law and library science degrees and Dwayne K. Buttler, the Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville, who also holds a law degree. Both Ferullo and Buttler have many years of experience advising their universities on copyright law.

Schlagworte

Academic Libraries College Libraries Copyright Copyright Management Intellectual Property in Higher Education University Libraries

Chapter Expand | CollapsePage
i–xviii Preface i–xviii
- Contents
- Acknowledgments
- Cases
- Preface
1–8 1. Introduction to Copyright 1–8
9–14 2. Property, Torts, and Contracts, Oh My! 9–14
15–26 3. A Practical Guide to Copyright, Contracts, and Licenses in Libraries 15–26
27–36 4. Welcome to the Public Domain 27–36
37–50 5. Fair Use 37–50
51–68 6. Face-to-Face Instruction, Remote Learning, and the Copyright Conundrum 51–68
69–84 7. Interlibrary Loan 69–84
85–94 8. E-Reserves 85–94
95–110 9. Archives and Copyright 95–110
111–122 10. Audiovisual Works 111–122
123–140 11. Images 123–140
141–150 12. Music Copyright and Libraries 141–150
151–162 13. Introducing Software Copyright for Academic Libraries 151–162
163–170 14. The Digital Millennium Copyright Act or the DMCA 163–170
171–182 15. Controlled Digital Lending: BEST PRACTICES FOR ACADEMIC LIBRARIES 171–182
183–196 16. Best Practices in Copyright for Open Access 183–196
197–212 17. Text and Data Mining: NEGOTIATING COMPUTATIONAL ACCESS TO LIBRARY RESOURCES 197–212
213–224 18. International Copyright Considerations 213–224
225–244 19. Brick by Brick: ESTABLISHING COPYRIGHT SERVICES AT UNIVERSITIES 225–244
245–250 20. Conclusion 245–250
251–256 Index 251–256
257–258 About the Editors 257–258
259–264 About the Contributors 259–264

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