Preface - Nomos eLibrary

Jump to content

Georg Kolbe — The Artist and National Socialism / Preface

Georg Kolbe — The Artist and National Socialism / Preface

Contents
- Chapter Expand | CollapseAuthorsPage
- 1–8 Titelei/Inhaltsverzeichnis 1–8
- 9–10 Preface 9–10
- 11–22 Introduction 11–22
- 24–80 Precursors 24–80
  - Martial Sculpture of the Imperial Era: Georg Kolbe’s Predecessors and Environment Bernhard Maaz Bernhard Maaz
- 82–162 Georg Kolbe and Art Policy 1933–45 82–162
  - 82–115 “Franco and Beethoven, how can I manage this?” Georg Kolbe and the Controversy over Modernism: The Sculptor within the Art Political Situation of the Years after 1933 Aya Soika Aya Soika 82–115
  - 116–135 Conceived in Space. Georg Kolbe’s Exhibition Participations 1933–42 Paula Schwerdtfeger Paula Schwerdtfeger 116–135
  - 136–151 Georg Kolbe in Frankfurt am Main—Ambivalence and Opportunism Ambra Frank Ambra Frank 136–151
  - 152–162 At One Table: Breker, Klimsch, Kolbe, Göring, Hitler, and Mrs. Himmler. Coteries, Circles, Dependencies Christian Fuhrmeister Christian Fuhrmeister 152–162
- 164–248 Georg Kolbe and the Art Market in National Socialism 164–248
  - 164–189 “I am by no means in the position of having to sell my few bronzes at dumping prices.” Georg Kolbe’s Marketing Strategies Jan Giebel Jan Giebel 164–189
  - 190–207 General von Einem, Kniende, Stehende. Georg Kolbe with Ferdinand Möller and Three Works on Consignment from 1938 Wolfgang Schöddert Wolfgang Schöddert 190–207
  - 208–225 The Binding Waiver. Georg Kolbe as a Creditor of Galerie Alfred Flechtheim GmbH Gesa Jeuthe Vietzen Gesa Jeuthe Vietzen 208–225
  - 226–248 “… they exist; that’s all I know.” The Works of Georg Kolbe and Vesting Order 3711 Anja Tiedemann Anja Tiedemann 226–248
- 250–332 Analyses of Works and Georg Kolbe’s Media Strategies 250–332
  - 250–277 Participation without Participating—Georg Kolbe, Friedrich Nietzsche, and National Socialism Olaf Peters Olaf Peters 250–277
  - 278–293 What Does the Hüterin Guard? Arie Hartog Arie Hartog 278–293
  - 294–311 Continuity through Mediality. Georg Kolbe in the Mirror of Self-Staging and Reproduction Photography Christina Irrgang Christina Irrgang 294–311
  - 312–332 Georg Kolbe Celebrates His Birthday. Journalistic Strategies Magdalena Bushart Magdalena Bushart 312–332
- 334–362 Georg Kolbe after 1945 334–362
  - 334–349 “Rightly forgotten”? Georg Kolbe after 1945 Maike Steinkamp Maike Steinkamp 334–349
  - 350–362 “An extraordinary case of ambivalence”—The American Reception of Georg Kolbe during and after the National Socialist Dictatorship Dorothea Schöne Dorothea Schöne 350–362
- 364–372 Appendix 364–372
  - 364–368 Short Biographies of the Authors 364–368
  - 369–372 Image Credits 369–372
Durchsuchen Sie das Werk
Geben Sie ein Keyword in die Suchleiste ein
CC-BY-NC-ND Access

Georg Kolbe — The Artist and National Socialism , page 9 - 10

Preface

Autoren

Elisa Tamaschke (Ed.) Julia Wallner (Ed.)

DOI
- doi.org/10.5771/9783786175261-9
- ISBN print: 978-3-7861-2915-8
- ISBN online: 978-3-7861-7526-1
Chapter Preview
Share

Contact
About us
Privacy Policy
FAQ
Terms
Legal Details

© 2025 Nomos In cooperation with Nomos eLibrary

Share by email

This work is protected by copyright

Note: This work is protected by copyright and may only be used in accordance with the provisions of https://www.nomos-elibrary.de. Any other use of the work is expressly prohibited and will be prosecuted.

Cookies required!

This form uses Google Recaptcha for spam protection. Please in order to activate Recaptcha and use this form.

Loading contents, please wait…