Critical Concepts for the Creative Humanities

Iris van der Tuin; Nanna Verhoeff

doi:10.5771/9781538147757

Critical Concepts for the Creative Humanities

Erschienen 2022

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doi.org/10.5771/9781538147757
ISBN print: 978-1-5381-4773-3
ISBN online: 978-1-5381-4775-7
Rowman & Littlefield, Lanham Rowman & Littlefield, Lanham

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Zusammenfassung

This concise, precise, and inclusive dictionary contributes to a growing, transforming, and living research culture within both humanities scholarship and professional practices within the creative sectors. Its format of succinct starting definitions, demonstrations of possible routes of further development, and references to new and revisited concepts as “conceptual invitations” allows readers to quickly uptake and orient themselves within this exciting methodological field for didactic, scholarly and creative use, and as a starting point for further investigation for future contributions to the new canon of critical concepts.

Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the field’s nascent bibliography.

Schlagworte

Keywords

Kapitel Ausklappen | EinklappenSeiten
i–xii Preface i–xii
- Contents
- Acknowledgments
1–10 Introduction 1–10
11–13 Accent 11–13
14–16 Accident 14–16
17–19 Affect 17–19
20–22 Ambient 20–22
23–25 Architecture, Architexture 23–25
26–28 Assembling 26–28
29–31 Asterisk * 29–31
32–34 Between No Longer and Not Yet 32–34
35–37 Both/And 35–37
38–40 Brackets [], Parentheses () 38–40
41–43 Care, Ethics of Care 41–43
44–46 Cartography, Performative Cartography 44–46
47–49 Classifixation 47–49
50–52 Collage 50–52
53–54 Collective Imaginings 53–54
55–57 Condition 55–57
58–60 Contagion 58–60
61–63 Contingency 61–63
64–65 Crossing 64–65
66–67 Curation 66–67
68–70 Dash –, Hyphen - 68–70
71–73 Deixis 71–73
74–77 Diffraction 74–77
78–80 Dirt 78–80
81–83 Dispositif 81–83
84–86 Dramaturgy 84–86
87–89 Eco-, Ecology 87–89
90–92 Encounter 90–92
93–95 Engagement 93–95
96–97 Failure 96–97
98–100 Figuration 98–100
101–103 Following 101–103
104–106 Friction 104–106
107–108 Generation, Generative 107–108
109–111 Gesture 109–111
112–113 Glow 112–113
114–116 Habit 114–116
117–118 Hashtag # 117–118
119–120 Implication 119–120
121–122 Interface 121–122
123–124 Irreducibility, Irreduction 123–124
125–127 Kaleidoscope, Kaleidoscopic 125–127
128–130 Making Kin, Unkinning 128–130
131–133 Micrology 131–133
134–136 Mode, Modality, Multimodality 134–136
137–139 Navigation 137–139
140–142 Openness 140–142
143–145 Pluriverse 143–145
146–148 Prefiguration 146–148
149–151 Procedure 149–151
152–154 Proposition 152–154
155–157 Punctuation 155–157
158–160 Randomization 158–160
161–163 Rhythm 161–163
164–166 Risk 164–166
167–169 Scale, Scaling 167–169
170–172 Scape, -scapes 170–172
173–175 Situation, Situatedness 173–175
176–177 Somatechnics 176–177
178–180 Speculation 178–180
181–183 Sticky, Stickiness 181–183
184–186 Surface 184–186
187–189 Sympathy 187–189
190–192 Synchrony, Synchronicity 190–192
193–195 Theoretical Object, Knowledge Object 193–195
196–198 Trace, Tracing 196–198
199–200 Trans-, Transing 199–200
201–203 Unlearning 201–203
204–206 Wonder 204–206
207–208 Zetesis 207–208
209–216 Index of Concepts 209–216
217–224 Index of Names 217–224
225–242 Bibliography 225–242
243–244 About the Authors 243–244

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