Create Video with Media Composer

Avid Technology Avid Technology

doi:10.5771/9781538175651

Create Video with Media Composer

Official Avid Curriculum

Erschienen 2023

Kein Zugriff

doi.org/10.5771/9781538175651
ISBN print: 978-1-5381-7355-8
ISBN online: 978-1-5381-7565-1
Rowman & Littlefield, Lanham Rowman & Littlefield, Lanham

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Zusammenfassung

Create Video with Avid Media Composer introduces users to the power of Media Composer software and marks the first steps toward developing core skills in video editing. The book covers the basic principles you’ll need to complete a film project using Media Composer | First, from initial setup to final output, and it is designed for those who are new to professional video editing and also for experienced editors who are unfamiliar with Media Composer software.

Each lesson and exercise will focus on a phase of the editing process, starting with organizing media, assembling a sequence, refining a sequence, creating titles and effects, and outputting your program so that others can view it. Although this book is not aimed at teaching the theory behind film and television production, the content provides some background on the craft of editing, making it appropriate for students and others new to the art.

For those interested in gaining official Avid certification, this book is also a valuable introduction for further learning and through the Avid Learning Series curriculum.

Schlagworte

technology CTE Avid Technology A/V production video editing official curriculum career pathway

Keywords

film production music production

Kapitel Ausklappen | EinklappenSeiten
Preface
- Contents
- Acknowledgments
1–16 1. Introduction and Setup 1–16
17–36 2. Opening, Playing, and Exiting 17–36
37–50 3. Setting Up Your Project 37–50
51–62 4. Ingesting Media 51–62
63–74 5. Getting Started Editing 63–74
75–88 6. Getting Deeper into the Edit 75–88
89–112 7. Segment Mode Tools 89–112
113–136 8. Trimming Clips and Keeping Sync 113–136
137–152 9. All About Audio 137–152
153–180 10. Transitions and Titles 153–180
181–200 11. Efficient Editing Techniques 181–200
201–208 12. Exporting 201–208
209–222 13. Effects 209–222
223–240 14. The Narrative Rough Cut 223–240
241–260 15. Motion Effects and FluidMorph 241–260
261–278 16. Multiple Effects and Split Screens 261–278
279–292 17. Color Correction 279–292
293–310 18. Technical Fundamentals 293–310

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