Abstract
Hip-hop as survivor testimony? Rhymes as critical text? Drawing on her own experiences as a lifelong hip-hop head and philosophy professor, Lissa Skitolsky reveals the existential power of hip-hop to affect our sensibility and understanding of race and anti-black racism. Hip-Hop as Philosophical Text and Testimony: Can I Get a Witness? examines how the exclusion of hip-hop from academic discourse around knowledge, racism, white supremacy, genocide, white nationalism, and trauma reflects the very neoliberal sensibility that hip-hop exposes and opposes. At this critical moment in history, in the midst of a long overdue global reckoning with systemic anti-black racism, Skitolsky shows how it is more important than ever for white people to realize that our failure to see this system—and take hip-hop seriously—has been essential to its reproduction. In this book, she illustrates the unique power of underground hip-hop to interrupt our neoliberal and post-racial sensibility of current events.
Schlagworte
Rap music Race Studies Hip hop Music Studies Trauma theory- Kapitel Ausklappen | EinklappenSeiten
- i–xiv Preface i–xiv
- 1–30 Introduction 1–30
- 135–146 Chapter 5 You Feel Me? 135–146
- 159–172 Conclusion 159–172
- 173–176 Playlists by Chapter 173–176
- 177–180 Discography 177–180
- 181–184 Bibliography 181–184
- 185–188 Index 185–188
- 189–190 About the Author 189–190