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Scott Simon

Sweet and Sour

2004

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Chapter 2: Social Contexts of Female Entrepreneurship S. 14-26

„… Chapter Two Social Contexts of Female Entrepreneurship Women entrepreneurs have become increasingly …” „… dichotomy between tradition and modernity, Chinese and Western, male and female. They are thus still …” „… Social Contexts of Female Entrepreneurship life .... Women have broken through the binds of tradition …”

Chapter 16: Concluding Notes S. 207-221

„… business partner. These observations that female entrepreneurship is predominantly a result of positive …” „… . Studying entrepreneurship in Taiwan inevitably means studying Native Taiwanese people, and female …” „… Taiwanese version of Starbucks. Itself a product of capitalist rationality, therefore, female …”

Chapter 1: Introduction S. 1-13

„… mean and defensive. Even just asking if the owner was male or female elicited brusque responses of "the …” „… , "but go interview her. She is a female entrepreneur:' He indicated a woman selling fruit from the back …” „… asked if she could help me fill out a small survey on female entrepreneurship. She looked 2 Chapter One …”

Chapter 8: A Lesbian Bar S. 84-97

„… time, she was very close to another female student and they became physically involved. Her parents …” „… " lesbians, on the other hand, adopt ideal-type female comportment. They have long hair, wear cosmetics, and …” „… Borderland Restaurant. Jailhouse is a purely lesbian bar, with only female employees and a majority female …”

Chapter 15: Women in a Flower-Drinking World S. 190-206

„… female hostesses. Both visits revealed to me the drinking rituals of masculine bonding, as well as the …” „… like this. There are also some places where men serve female clients, like Fridays. 4 Those are mostly …” „… limits of female agency and women's enduring position of structural inequality. Women's weak structural …”

Chapter 4: A Stone Cutter S. 35-47

„… change that has opened up new room for female entrepreneurship, and Fan Fut-moi is just one example …” „… mutual interdependence rather than on male power and female subordination. This form of empowerment is …”

Chapter 9: An Eel Exporter S. 98-120

„… student at National Cheng Kung University. At the time, I was already interested in female …” „… most. DOING BUSINESS IN A MALE WORLD Her female gender, however, necessitated learning how to meet …” „… female gender limits her activities in the eel industry work culture. Labor relations, for example, must …”

Index S. 241-245

„… female entrepreneurship, 20, 34, 211-212, 213; in Tayal tribe, 175-176 dowry, 8, 23, 26n1, 94, 209; vs …”

Preface

„… xvn 1 Introduction 2 Social Contexts of Female Entrepreneurship 14 3 Two Street Vendors 27 4 A Stone …”

Chapter 3: Two Street Vendors S. 27-34

„… do anything. DISCUSSION The life narratives of So-hoa and Koat-ho open up the discussion of female …”

Chapter 11: A Global Café S. 137-147

„… , especially female friends. I also expressed myself to them quite generously. Since we all had the same …”

Chapter 7: A Café Owner S. 70-83

„… wages over the past thirty years and ample opportunities for female entrepreneurship, has given women …”

Chapter 10: A Nonprofit Dog Shelter S. 121-136

„… reproduce quickly. Citing research "done in England;' Li-ling argued that one female dog, released in the …”

Chapter 13: A Breakfast Café S. 157-173

„… , means "sunrise" in the Ta'u language and is used as a female name. 2. These networks of small shoe …”

doi.org/10.5771/9780585466675

Lorella Bosco, Anke Gilleir - Schmerz. Lust.

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Lorella Bosco (ed.), Anke Gilleir (ed.)

Schmerz. Lust.

Series: Moderne-Studien

Volume 18 2020

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Markus Hallensleben Faces of the German Female Avant-Garde S. 129-156

„… Markus Hallensleben (Vancouver BC)Faces of the German Female AvantGardePortrait Montages in Else …” „… generally considered the central female figures of the German speaking avant-garde movements Expressionism …” „… Female Avant-Garde132This image depicts a naked female figure with garter belts, resembling a dancer in a …”

Ruth Hemus ›Made for a Party‹? S. 157-174

„… human that Höch’s work is most exceptional: not only how they appear (the body, above all the female …” „… of seeing on the part of the viewer.1 Höch’s female bodies are cut up, fragmented, and only sometimes …” „… : Berg, 2001. P. 34. Ruth Hemus159the availability of still more appetizing female bodies.«6 Such a …”

Elisabeth Krimmer Ecstasy and Pain S. 79-106

„… nude allegorical female figure floats in the air above the crowd, driving them on to the fight. The …” „… , the female allegory of the preliminary study has become a historical figure.18 This move from allegory …” „… hardly suitable as a symbol for the victims of concentration camps, who were both male and female and …”

Titelei/Inhaltsverzeichnis S. 2-6

„… (Vancouver BC)Faces of the German Female Avant-Garde.Portrait Montages in Else Lasker-Schüler and Hannah Höch …”

Inge Arteel Marieluise Fleißers groteske Sachlichkeit S. 235-250

„… Fleißer«. Practicing Modernity. Female Creativity in the Weimar Republic. Hg. Christiane Schönfeld. Würzburg …” „… Marieluise Fleißer«. Practicing Modernity. Female Creativity in the Weimar Republic. Hg. Christiane Schönfeld …”

Lorella Bosco »Denn wir suchen die Lust und nichts anderes« S. 213-234

„… . Stavroula Constantinou. Female Corporeal Performances. Reading the Body in Byzantine Passions and Lives of …” „… Kör-perinschrift. Hgg. Barbara Vinken/Bettine Menke. München: Fink, 2004. S. 113-144.Stavroula Constantinou. Female …”

Christiane Schönfeld »Alle Qual vom Herzen schreiben« S. 51-78

„… . Tracy Cox setzt sich in ihrem Aufsatz »Diary of a Lost Spectator: Carving a Space for Female Desire in …” „… Tracy Cox. »Diary of a Lost Spectator: Carving a Space for Female Desire in Patriarchal Cinema …”

Lorella Bosco, Anke Gilleir Schmerz. Lust. Künstlerinnen und Autorinnender deutschen Avantgarde S. 7-26

„… avant-garde‹ provides the female subject with a kind of centrality, in her own eyes.«19 Künstlerinnen können …”

Marion de Zanger A Dreadful Lust For Forbidden Eyes S. 251-270

„… , a frustrated, hurt or abused woman, a female artist who collapsed under male surrealist artistic …”

doi.org/10.5771/9783849814946