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Nathalie Mahmoudi, Yasmin Mahmoudi - Kunst - Wissenschaft - Recht - Management

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Nathalie Mahmoudi (ed.), Yasmin Mahmoudi (ed.)

Kunst - Wissenschaft - Recht - Management

Series: Schriften zum Kunst- und Kulturrecht

Volume 28 2018

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Lothar Mattner „Challenges and Opportunities in Visualizing Music” S. 379-386

„… ‐ mensurability of music and image in the history of music and film and television manifest themselves in similar …” „… based on an intra-mu‐ sic analysis in the genres the wide cape of occidental music history dis‐ tributed …” „… „Challenges and Opportunities in Visualizing Music” Prof. Dr. Lothar Mattner „Musica est exercitium …”

ZHANG Beili, LI Dianyi, ZHANG Yichi Research on Methods of the Classical Arts Market Development Projects for the Young Audience S. 463-486

„… . ZHANG Beili, LI Dianyi, ZHANG Yichi (Tianjin Conservatory of Music, China, 300171) Introduction …” „… accumulated through the history of precipita‐ tion, the contents has the common aesthetic, everlasting …” „… audi‐ ence; it can eliminate the barriers to the understand‐ ing of classical music. Group 4 It de …”

doi.org/10.5771/9783845292182

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Gunnar Hindrichs (ed.)

Konzepte 2

Series: Konzepte

Volume 2 2016

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Dániel Péter Biró Emanations. Reflections of a Composer S. 39-62

„… Bible cantillation and Qur’an recitation. See Leo Treitler, The Early History of Music Writing in the …” „… To creatively investigate questions of aesthetics in music today is also to consider lived and …” „… , connecting one’s memory to human experience, to one’s history and to the larger world. In composing, my …”

Roger Scruton In Search of the Aesthetic S. 63-82

„… through concepts alone. Those suggestive ideas have since had a long history, reaching down to the …” „… their character from, the stream of human history. The states of mind that are singled out as …” „… towards them at every period of history. And it is equally implausible and equally presumptuous to …”

doi.org/10.5771/9783465139638

Kai Bronner, Rainer Hirt - Audio-Branding

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Kai Bronner (ed.), Rainer Hirt (ed.)

Audio-Branding

2007

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John Groves A Short History Of Sound Branding S. 41-53

„… History Of Sound Branding 43 individual music, illustrative or otherwise, with one element common to all …” „… A Short History Of Sound Branding John Groves Groves Sound Branding, Hamburg 1. History? When …” „… I was asked to write a short history of Sound Branding, I felt like a six year old being asked to …”

Prof. Dr. Herbert Bruhn Musik als Repräsentation von vorgestellten Handlungen – Ausdrucksmodelle als Erklärung für die Wirkungen von Musik S. 20-32

„… Audio-Branding – alles neu? 32 John Groves A Short History Of Sound Branding 40 …” „… : "My colleagues and I do not claim that listening to classical music will improve children`s …” „… L.-L., Thompson. W. F.: A cross-cultural investigation of the perception of emotion in music …”

doi.org/10.5771/9783845213927

Franz-Josef Deiters, Alex Fliethmann, Birgit Lang, Alison Lewis, Christiane Weller - Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft

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Franz-Josef Deiters (ed.), Alex Fliethmann (ed.), Birgit Lang (ed.), Alison Lewis (ed.), Christiane Weller (ed.)

Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft

Series: Limbus. Australisches Jahrbuch für germanistische Literatur und Kulturwissenschaft | Limbus. Australian Yearbook of German Literary and Cultural Studies

Volume 9 2016

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Ben Gook Berlin and Detroit: An Alien Techno Alliance. Cultural Politics and Social Transformation after the Fall of the Wall S. 171-202

„… utopian enclave, taking flight in space and time from its unmistakable embeddedness in recent history.Rave …” „… refused the paralysis and repression of historicity demanded by the ideological »end of history«.Dancing …” „… . Dax/Defcon)The Cold War’s end infused electronic music from Detroit and Berlin in the early-to-mid-1990s with an …”

doi.org/10.5771/9783968219592

Martina Papiro - Stimme – Instrument – Vokalität

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Martina Papiro (ed.)

Stimme – Instrument – Vokalität

2021

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Abstracts und Kurzbiographien S. 261-277

„… Handschrift in den 1610–1620er-Jahren kompiliert worden sein. CV Arnaldo Morelli is Professor of Music History …” „… darstellender Kunst. CV Franco Piperno is Professor of Music History at the Sapienza University of Rome. He is …” „… on the history and virtues of the sampogna – the symbol of the academy and Banchieri’s personal …”

James Hankins Vocal Music at Literary Banquets in the Italian Renaissance S. 227-244

„… in music see James Hankins, “Humanism and Music in Italy”, in: The Cambridge History of …” „… Cambridge History of Fifteenth-Century Music, 361–373; and Daniela Gionta, Per i Convivia mediolanensia di …” „… source for the history of early Greek music, and con- 12 Ibid., b7r: “Eum autorem [Macrobium] (arbitror …”

Sergio Durante Singing Voice and Instrumental Sound between Fact and Ideology S. 19-28

„… verbal communication, the more it approaches the condition of a musical instrument. In music history …” „… – polyphonic imitative music. As historiography developed, we came to realize that this shift in music history …” „… as the real focus of modern music production. Music history does not end there, nor does the …”

Franco Piperno Affetto S. 29-44

„… 22 (1993), 61–114. 17 See it in Oliver Strunk, Source Readings in Music History, New York: Norton …” „… seventeenth-century music surrounds the term affetto. The concept has a dual meaning, as exemplified by the phrases …” „… to compare affetti in vocal and instrumental music and to relocate the concept in the larger context …”

Arnaldo Morelli “Divini concerti musicali […] di diverse monache” S. 245-260

„… , “Elena Malvezzi’s Keyboard Manuscript: A New Sixteenth-Century Source”, in: Early Music History 9 (1990 …” „… Oxford History of Music 4/1), 305–307. 256 Arnaldo Morelli the performance, as implied by the word …” „… G Manuscript Arnaldo Morelli At times, music historians have to work on a source that has only …”

Martin Kirnbauer «sonare & cantare le pronuntie delle passioni delle parole» S. 71-92

„… History. Hearing with the Eyes, Cambridge: Cambridge University Press 2000 (Cambridge Studies in Music …” „… vanamente.»). 30 Zarlino, ebd., 291. 31 Karol Berger, «Concepts and Developments in Music History», in …” „… . 25), 10. 33 Berger, «Concepts and Developments in Music History» (wie Anm. 31), 309. «sonare …”

Andrew Dell'Antonio “il fine dell'Autore circa la dilettatione dell'udito” S. 123-142

„… Manuscripts”, in: Interpreting Historical Keyboard Music: Sources, Contexts and Performance, eds. Andrew …” „… music for the practical application of keyboard and compositional technique in the early Seicento, that …” „… music initially performed its cultural work largely through the astonishing effect it had on early …”

Rebecca Cypess Voices, Instruments, and the Technology of Nature S. 93-122

„… Rebecca Cypess The Renaissance model of instrumental music was rooted in its relationship with the human …” „… century, see, for example, Anthony Rooley, “Ficino, and the Supremacy of Poetry Over Music”, in: Le …” „… , with the first flourishing of a large repertoire of idiomatic instrumental music, independent of …”

Claire Genewein Worte zur Musik S. 159-184

„… to collect Materials for a General History of Music, 2. Aufl., London: T. Becket & co. 1773, 63–65 …” „… Early Music: A Period Performer’s History of Music for the Twenty-First Century, New York: Oxford …” „… alles, was man machet, es sey vocal- oder Instrumental-Music wohl singen lasse.5 Mattheson versteht …”

doi.org/10.24894/978-3-7965-4392-0

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