„… Familiengeschichte herstellen. In einem zweiten Schritt wird vor dem Hintergrund eines (der Visual History …” „… , Aneignung, Visual History, Ge‐ schichte, Home Movies, Dokumentarfilm Familien werden in Filmen häufig direkt …” „… ‐ tergrund des (der Visual History entstammen‐ den)Konzepts »geschichtsmächtiger Bilder« die Bedeutung von …”

„… colonial history, »the White Man« exemplifies the majority, the standard or norm. Together with colonialism …” „… the figure of theWhite Man represents the European white man and the history of colonization. The face …” „… the interface that con‐ nects an individual’s body and her life history to a standardized bureaucratic …”

„… Staging Hannah Arendt: TV and the Visual Politics of Interviewing on Zur Person (1964) Stefanie …” „… 1963 until 1968, reveals that the minimization of all things visual or ornamental was neither artless …” „… certainly among the most interesting in the history of the filmed interview. Zur Person / ad personam The …”

„… ” (John Searle, “The Logical Status of Fictional Discourse,” New Literary History 6 (1975), 319-333: 325 …” „… history, the relative newness and unfamiliarity of the narrative podcast form might render this kind of …” „… , and whose back was photographed and distributed by abolitionists as visual proof of the terrors of …”

„… to demonstrate that even when films are focused on insistently visual deployments of surveillance …” „… can entirely account for. The visual orientation of these approaches has made them, at least within …” „… and practices with greater attention to historical and structural specificity. Cinema History …”

„… practice of surveillance has long been associated with visual forms of monitoring (the word emerges from …” „… serve a dual purpose. Their visual rendering of the “self” in graphic space obscures the textual and …” „… in the name, the substance, the exposure time and then I tap into your computer history. Your …”

„… focalized surveillance, gradually diffuses in the shift from visual surveillance to ‘dataveillance …” „… through visual recognition, so much as through invisible omniscient control. The question this volume is …” „… ). The importance of literature, film, and visual arts to an understanding of surveillance has been …”

„… Foucault’s panopticon, on the other hand, is the link between visual surveillance and its function of …” „… popularized by Foucault, surveillance is a visual mechanism designed to achieve enforced (re)training and …” „… , Electronic; Lyon, Society; Fyfe and Banister; Falkenhayner). In both scenarios, surveillance implies visual …”

„… a set, ‘closed’ period in their life that they now, in the novel, encounter as ‘history.’ To add to …” „… this defamiliarizing effect of an immediate past represented in its transition towards history, the …” „… terms of intellectual history. Moose Metcalf, a worn-out, middle-aged academic, who was once a star …”

„… a complex one. In a recent essay, published in New Literary History, Hanna Meretoja argues that any …” „… of the visual descriptions” (Smith 30). The protagonist, who is also the focalizer, is presented as a …” „… . Meretoja, Hanna. “Narrative and Human Existence: Ontology, Epistemology, and Ethics.” New Literary History …”

„… tradition extending from Dostoevsky to Pankaj Mishra’s recent history The Age of Anger (2017), Adiga’s …” „… . In his much-lauded 2017 book The Age of Anger: A History of the Present, Pankaj Mishra specifically …” „… Unique Identity Project 155 white tiger moved behind its bars. The visual interference of barred cage and …”

„… time, musical works are artefacts, structured time, that oppose the ambivalence of visual perception …” „… treatises, did in‐ vent the first Laterna Magica, which went down in film history as a pre‐ form of the …” „… seventh art. I would like to boldly assert: The history of „mu‐ sic and image“ is that of a hybrid where …”

„… accumulated through the history of precipita‐ tion, the contents has the common aesthetic, everlasting …” „… " to their first impression is a strong visual impact: bright and colorful clothing, the flower swaying …”

„… Testimonies4, dem Visual History Archive der USC Shoah Foundation. The Institute for Visual History and …” „… USC Shoah Foundation. The Institute for Visual History and Education (Im Folgenden: USC Shoah …” „… History Archive, USC Shoah Foundation. The Institute for Visual History and Education, 1996, Tape 4 …”

„… UND AUTOREN 373 Überlebenden der Shoah im ›Visual History Archive‹«, in: Thomas Weber u. a. (Hg …” „… Schulunterricht in Deutschland sowie die wissenschaftliche Betreuung des Visual History Archive der USC Shoah …” „… Bessarabien und Transnistrien« (Promotion). Publikationen (Auswahl): »History without Memory. Crea ting a …”

„… Visual History Achives der Shoah Foundation öffentlich wurden, hat das Nachdenken darüber, wie der …” „… Visual History Archive des Shoah Foundation Institute in der schulischen Bildung«, in: Medaon. Magazin …” „… Lernen mithilfe digitaler Zeitzeugenarchive (am Beispiel des Visual History Archive)«, in: Bettina Alavi …”

„… also used in oral history and in the judicial context. Specifically, we are dealing here with the …” „… fragments that lack narrative cohesion and agency. These imprints of visual, auditory, olfactory …” „… rolling in her mind and relates what she sees. What she relates is immediate, personal and visual. The …”

„… ist das an der Freien Universität zugängliche Visual History Archive der USC Shoah Foundation mit über …” „… History seit den 1960er Jahren besitzen Videozeugnisse dieser Art in den Geschichtswissenschaften noch …” „… Literature, Psychoanalysis, and History, New York 1992, S. 75–119, hier S. 80 ff. 22 Ebd., S. 80. 23 Ebd., S …”

„… : History of the Human Sciences 17 (2004), S. 97–123. 21 Vgl. Wilhelm G. Niederland, Folgen der Verfolgung …” „… Witnessing in Literature, Psychoanalysis, and History, New York 1992. 25 Vgl. José Brunner, »Medikalisierte …” „… des Holocaust), Frankfurt / New York 2007, S. 157–175; Thomas Trezise, »Between History and …”

„… SHOAH Visual History Foundation21, vom Fortunoff Video-Archive for Holocaust Testimonies in Yale22, in …” „… oder Der Beruf des Historikers, München 1985, S. 80, 91; Robin G. Collingwood, The Idea of History …” „… Dominick LaCapra, History and Memory after Auschwitz, Ithaka / London 1998, S. 112 f. BURKHARD LIEBSCH 62 …”