„… : there are no magic sounds; only magic user experiences. The GSP project created a new set of strategic …” „… The Samsung Global Sound Project: Cross-culture Innovation Aaron Day Receive-Transmit, Berlin …” „… description of information we receive via the visual channel. Not so with sound. It is difficult to talk …”

„… Sound Branding. It was partly developed from experience gained from working with the world’s leading …” „… based on buried knowledge and experience should not be confused with guesswork. The sound of a brand is …” „… A Short History Of Sound Branding John Groves Groves Sound Branding, Hamburg 1. History? When …”

„… Erkenntnis, dass Musik und Sound als Bausteine der filmischen Produktgestalt sowie als Elemente filmischer …” „… gelegentlich in den Vordergrund. To set the Tone 193 I feel, I experience, through the grand total of …” „… Cinema Experience, dem Kinoerlebnis – ein Begriff und ein Verständnis, die geeignet sind weiterzuhelfen …”

„… Sound Identity (SI), die Zielgruppe und das Image (vgl. Abb. 4).20 Dass Popstars durch die Musik, die …” „… sie produzieren, eine bestimmte Sound Identity haben, versteht sich von selbst. Darin enthalten sind …” „… Stimme des Sängers. Aber auch Marken können über eine eigene Sound Identity verfügen, die als Teil der …”

„… , colour, smell or sound. Such self-disclosure always involves an element of self-concealment: no other is …” „… observes, in Baumgarten’s aesthetics of sensual experience, Goethe’s research into the »sensual-ethical …” „… it accords to sound in the generation of the atmospheres it invokes. In his discussion Limbus 5 Druck …”

„… . Changing Temporal ExperiencesIt was around 1800 that fashion started to be reflected in the print medium …” „… used »Wohlleben« (good life) instead, a word which has a more modest sound to it in German.Limbus 5 …” „… experience; it is an experience that consists first and foremost in the recognition of transience. The …”

„… pleasurable about it? Psychoanalytic theory (Michael Balint) offers the explanation that the experience of …” „… and Sound in Matthew Lewis’s Melodrama The Captive (1803)When Matthew Lewis’s melodrama The Captive …” „… elements of the play, while an uncanny »prison soundscape,« including sounds of bars, chains and cries of …”

„… : Stollberg__Musik_und_das_Unheimliche__[e-PDF]/14.09.2023/Seite 73Sphärenharmonie und WahnsinnA sound of silence on the startled earWhich dreamy …” „… merest word of all.All Nature speaks, and ev’n ideal thingsFlap shadowy sounds from visionary wings –But …” „… House of Sounds, die in zwei Fassungen existiert, beide aus den 1890er Jahren stammend.20 Hier …”

„… , hrsg. von dems., Cambridge 2008, S. 18–46, hier S. 38: »the experience of Wagner as a hypersensitive or …” „… simply a repetition-compulsion, but rather the act of enunciation itself, the sound of speaking one’s art …” „… into being. In so doing, the pas-sage reveals in sound the otherwise silent presence of the discursive …”

„… , quasi leitmotivische Rolle spielen tickende Uhren, die als key sound von Schlafzimmerszenen fungieren …” „… Temporalisierung des filmischen Bildes durch Sound siehe Michel Chion, Audio-Vision. Sound on Screen, mit einem …” „… Studie Gothic Music. The Sounds of the Uncanny, Cardiff 2012, S. 11–33.333www.claudia-wild.de …”

„… , »Sound and Sen-timent: The Function of Music in the Gothic Novel«, in: Music & Letters 62 (1981), H. 2, S …” „… . 162–175 sowie Isabella van Elferen, Gothic Music. The Sounds of the Uncanny, Cardiff 2012, bes. Kapitel 1 …” „… : »The Sound of Gothic Literature«, S. 11–33.58 Vgl. Florian Nelle, »Theaterdonner – Geräusch und …”

„… specific musical works had already emerged. Sce-narios featuring sound and / or musical events were also …” „… sound, on-screen representations of the act of listening, and the highly variable (and not always …” „… synchronised or appropriate) accompani-ment choices made by live musicians and sound effects people in the …”

„… https://foyer.de/mediathek/the-sound-of-nature/ [zuletzt: 8.6.2022]; https://pastoralpro ject.org/project-information/ [zuletzt: 8.6.2022].28 Im …” „… heroic stories. The vision of humanity in his music is broader than any one kind of experience can …”

„… with the experience of sound as a source of amazement was possible and appreciated, regardless of any …” „… Singing Voice and Instrumental Sound between Fact and Ideology Sergio Durante In Federico Fellini’s …” „… , describes the special merits of her flute by saying that it “has the sound that most resembles the human …”

„… , we have to know how to interpret the resonances we experience through the mirror neuron system. As …” „… Together in Time: Musical Experience and the Mirror Neuron System”, in: Music Perception: An …” „… experience a deeper sense of pain is for there to be some reference to, not a complete model of, an …”

„… voice. Instrumental players sought to apply their musical artifice to capture the sounds, rhetorical …” „… Turino, Moving Away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration …” „… silent tree, and Orpheus’s voice continues to sound as voice even after his decapitation,13 the …”

„… way analogous to the delight that Cypess and Jeanneret argue can be found in reproducing their sounds …” „… musical activity can consist of a variety of actions, some consisting of production of sound, others …” „… relating to the reception and fostering of sound production; with Small I contend that early modern elite …”

„… of a voice was assigned to an instrumentalist’s sound as the expression of the artist’s uniqueness …” „… transmitted through the sound he produces, the driving force of both the development and the aesthetics of the …” „… and gives greater volume to the voice.13 The projection of sound uses more air, and the contraction of …”