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Gudio Heldt, Tarek Krohn, Peter Moormann, Willem Strank - Sound Design

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Gudio Heldt (ed.), Tarek Krohn (ed.), Peter Moormann (ed.), Willem Strank (ed.)

Sound Design

Series: FilmMusik

Volume 5 2023

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Claus Tieber »Sound Design« im Stummfilm S. 9-22

„… produziert. Sound Design im heutigen, engeren Sinne des Begriffs gab es im Stummfilm nicht. Das …” „… Ziel dieses Bei-trags, wobei der Stummfilm nicht als Vorstufe zum Sound Design, als ›unterent-wickelte …” „… des Sound Design zu diskutieren, macht durchaus Sinn, wenn man den Begriff möglichst breit …”

Julia Heimerdinger Akustische Atmosphären S. 40-56

„… ›Sound Design‹ der kreative Aspekt begrifflich hervorgehoben. Am filmischen Endprodukt ist den-2 …” „… Sound-Designer John-nie Burn wurden die Hintergrundgeräusche aber »wahrscheinlich mit einem sehr engen …” „… verschiedenen Interviews, unter anderem in Zusammenhang mit weiteren Filmen, an denen er als Sound Designer …”

Titelei/Inhaltsverzeichnis S. 2-6

„… ]__Sounddesign__[e-PDF]/09.10.2023/Seite 3Sound DesignZur Musikalisierung von Geräuschen im Filmwww.claudia-wild.de …” „… Krohn,Peter Moormann und Willem StrankSound DesignZur Musikalisierung von Geräuschen im FilmPrint-ISBN …” „… anfängt und das Sound Design aufhört. Oder ist eine solche Grenzziehung längst überholt?ISBN …”

Vorwort S. 7-8

„… Coppolas Apocalypse Now gilt gemeinhin als Geburts-stunde des modernen Sound Design.Die Verschmelzung der …” „… technischen Möglichkeiten für Sound Design im zeitgenös-sischen Film lassen uns leicht die wesentliche Rolle …” „… 1979 die Funktion des Sound Designers eigenständig Erwähnung; Walter Murchs Arbeit zu Francis Ford …”

Jörg U. Lensing Meta-Storytelling und Untertexte durch intelligente Tongestaltung im Film S. 57-98

„… veröffentlichten Literatur zum Thema Filmton / Sound Design immer wieder US-Vorbilder zitiert, werde ich mich in …” „… Design) für Film beschränkt sich auch hierzulande zum größten Teil auf Sound-Editing1, welches meistens …” „… Wim Wenders und seine Sound Designer Axel Arft, Hartmut Eichgrün, Lothar Mankewicz und Jean-Paul Mugel …”

Auswahlbibliografie S. 99-101

„… 7.1 (2014), S. 40–53.Flückiger, Barbara: Sound Design. Die virtuelle Klangwelt des Films, Marburg …” „… York 1999.Beauchamp, Robin: Designing Sound for Animation, Amsterdam 2005.Friends of Silent Films …” „… Hubbert, Berkeley 2011, S. 45–52.Altman, Rick: »The Material Heterogeneity of Recorded Sound«, in: Sound …”

Saskia Jaszoltowski Die akustische Umwelt in Animated Cartoons S. 23-39

„… mussten, waren die Sound Designer:innen, Musiker:innen und Komponist:innen an akustische Gesetzmäßigkeiten …” „… , dass der Komponist Carl Stalling und der Sound Designer Treg Brown (zusammen mit dem …” „… sounds«, vgl. Robin Beauchamp: Designing Sound for Animation, Amsterdam 2005, S. 21 f.: »Nonliteral, or …”

doi.org/10.5771/9783967077636

Christoph Lütge, Torsten Meyer - Musik - Technik - Philosophie

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Christoph Lütge (ed.), Torsten Meyer (ed.)

Musik - Technik - Philosophie

Series: Alber-Reihe Philosophie

Volume 2005

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Norbert Bolz Rausch und Rauschen: Über Musik als Sound-Design S. 12-24

„… als Sound-DesignNorbert BolzThere’s someone in my headbut it’s not me.Aus der Zeit seiner tiefsten …” „… noch musikalische Komposition und noch nichtSound-Design. Erst Moholy-Nagys Medienexperimente …” „… CAD-Sound, computergesttztes Sound-Design. Auch der Gegentrend da-zu hat sich bereits klar formiert …”

Titelei/Inhaltsverzeichnis S. 1-6

„… und Rauschen: ber Musik als Sound-Design . . . . . 12Claus-Artur ScheierDie Geburt der Musik aus dem …”

Torsten L. Meyer, Christoph Lütge Einleitung der Herausgeber S. 7-10

„… beobachtende bergang von einemtraditionellen Musikverstndnis hin zum »Sound-Design« (NorbertBolz). Zum zweiten …”

Konrad Boehmer Die Industrialisierung des Musikdenkens als ästhetisches Problem S. 128-146

„… schon zumSubstitut aller sthetischen Entscheidungsfreiheit gemausert zu ha-ben: Kein »sound designer …” „… darstellt. Wo immerKinder, Jugendliche am Computer ihre »sound«-Programme bedie-nen, kommt nicht dabei …”

Hans-Joachim Braun Komposition und Konstruktion: Zum Verhältnis von musikalischer und technischer Kreativität in der ersten Hälfte des 20. Jahrhunderts S. 106-127

„… biochemical centers of thebrain existing in the form of sound waves. ‹…› Attract more clients‹ –such was the …” „… ): Engineering Design and Musical Composition: An Exploratory Inqui-ry, ICON 8, 1–24.Cowell, Henry (1943 …” „… ): Universal Design Theory, Aachen, Shaker.Hellige, Hans-Dieter (1991): Leitbilder und historisch …”

Claus-Steffen Mahnkopf Technik und moderne Musik S. 147-166

„… inopportun erscheint, dann wird Musik zu Design,zum Schein im schlechten Sinne. Kompositorische Technik ist …” „… Publikumblendet. Hufig ist es kaum mehr als Design, Pseudorationalitt, ver-mischt mit sthetik-Geschwtz. Bei …” „… , pseudokommerziell und billig ef-fekthascherisch waren. Die Nhe zu Pop und Sound im schlechtenSinne war zu groß.Es …”

doi.org/10.5771/9783495997093

Kai Bronner, Rainer Hirt, Cornelius Ringe - ((( ABA ))) Audio Branding Academy Yearbook 2012/2013

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Kai Bronner (ed.), Rainer Hirt (ed.), Cornelius Ringe (ed.)

((( ABA ))) Audio Branding Academy Yearbook 2012/2013

2013

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John Groves, Anna-Maria Bartsch Brand Sounder: A Tool for the Design and Evaluation of Sound Logos and Other Brand Sound Elements S. 209-219

„… 209 Brand Sounder: A Tool for the Design and Evaluation of Sound Logos and Other Brand Sound …” „… design and judgement of Brand Sound Elements. The tool is currently in the prototype stage and is an …” „… elaboration of the current GROVES Sound Logo Design and Judgment System. It considers a number of criteria …”

Patrick Langeslag, Julia Schwieger, Martin Sinn The Influence of Sound Design in Videogames on Brand Awareness: An Acoustic Branding Study for MLP and the audio consulting group S. 199-209

„… 199 The Influence of Sound Design in Videogames on Brand Awareness: An Acoustic Branding Study …” „… , sound logos, sound design, videogames, brand awareness Abstract The purpose of the report is to assess …” „… the influence of sound design in online videogames on user behaviour as well as brand awareness. An …”

Company Directory S. 245-263

„… tones decide on the success of the communication & dialog design, because smart sound concepts offer new …” „… saminoff@eliasarts.com www.eliasarts.com Audio Identity, Music & Sound Design and Production 1980 25-50 Audio …” „… touchpoints, 30 years expertise in music and sound design, validated best practices and points of view …”

About the Authors S. 229-244

„… spots”. The idea for a tool to evaluate and design Brand Sound was derived from this work. Together …” „… communication, sound design and has been supervising research projects on sound and crossmodal effects. In …” „… communication, sound design, sound & multisensory connections. About the Authors 231 Juan …”

Carlos Velasco, Russ Jones, Scott King, Charles Spence “Hot or Cold?” On the Informative Value of Auditory Cues in the Perception of the Temperature of a Beverage S. 175-187

„… , London, UK Key Words crossmodal correspondences, temperature, product sounds, sonic design, product …” „… design is the sound of the car engine (e.g., Spence & Zampini, 2006). It is certainly true that the …” „… . Knöferle, K. M. (2012). Using customer insights to improve product sound design. Marketing Review St …”

Abel Korinsky, Carlo Korinsky, Max Korinsky, Clarissa Khan Sounding Façades S. 219-228

„… , Carlo Korinsky, Max Korinsky, Clarissa Khan 223 application of Sound Branding and Sound Design on …” „… individual sound design. Sound should not be an annoying medium, but become part of the urban soundscape to …” „… – Atelier für vertikale Flächen Key Words vertical sound, multisensual branding in open space, sounding …”

Evelyn Kreb, Diana Tobias, Stephanie Forge Particularities and Differences in the Creation Process of Sound Branding by Sound Branders and Other Professional Composers S. 187-199

„… , composer and sound engineer who creates and produces sound design, music for advertising and TV spots …” „… design process]. Wiesbaden: GWV Fachverlage GmbH. Steiner, P. (2009). Sound Branding. Grundlagen der …” „… . 199 The Influence of Sound Design in Videogames on Brand Awareness: An Acoustic Branding Study for …”

Charles Spence Crossmodal Correspondences and the Future of Synaesthetic Marketing: Matching Music and Soundscapes to Tastes, Flavours, and Fragrances S. 39-52

„… the more creative side of sound design/sonic branding, I would argue that it can nevertheless help …” „… while listening to one of two soundscapes developed by Condiment Junkie, a London-based sound design …” „… the need to resort to science (one might wonder here whether the most successful of sound designers …”

Julian Treasure Listening to Shoppers S. 29-38

„… sound design and conscious listening, thereby making a huge contribution to both economic success and …” „… us to. Instead of abusing music, let's design sound in our public spaces just as carefully as we …” „… design shape, colour and lighting. Let’s design experience, not just appearance. And where sound is …”

Klemens Knöferle, Charles Spence Product-Related Sounds Speed up Visual Search S. 127-139

„… Influence of Sound Design in Videogames on Brand Awareness: An Acoustic Branding Study for MLP and the …” „… the Design and Evaluation of Sound Logos and Other Brand Sound Elements 209 John Groves, Anna-Maria …” „… “Multisensory Design/Communication”. After a pre-selection by the Audio Branding Academy and the reviews by the …”

Cristy Ho, Russ Jones, Scott King, Lynne Murray, Charles Spence Multisensory Augmented Reality in the Context of a Retail Clothing Application S. 167-175

„… , temperature, product sounds, sonic design, product design Abstract We conducted a study designed to assess …” „… , Cambridgeshire: AQR. Spence, C. (2011). Sound design: How understanding the brain of the consumer can enhance …” „… change, and could perhaps be enhanced, by playing back clothing sounds designed to emphasize a …”

Juan Corrales Renfe Audio Branding S. 93-101

„… element of most communications. Music vs Sound Design It was decided that the sound idea must be based …” „… on musical elements with no lyrics rather than sound design. Many reasons supported the idea …” „… design consultation involving specialists such as The Sound Agency to create a unique and extraordinary …”

Cornelius Ringe, Kai Bronner, Rainer Hirt Prelude S. 5-10

„… , Stephanie Forge The Influence of Sound Design in Videogames on Brand Awareness: An Acoustic Branding Study …” „… Sounder: A Tool for the Design and Evaluation of Sound Logos and Other Brand Sound Elements 209 John …” „… first time. Over the past few years numerous publications on sound and music in brand communications …”

Lydia Watson, Julian Treasure Harrods Case Study S. 101-105

„… currently undertaking a period of expert design consultation involving specialists such as The Sound …” „… sound within the store was not designed, was inconsis- Harrods Case Study 102 tent, unmanaged, of …” „… is unique to Harrods and was created entirely to match their sound requirements. It is designed to …”

Henry Daw Branded Globally – Relevant Locally S. 67-81

„… – Relevant Locally Henry Daw Principal Sound Designer at Nokia 1. Global to Local If you think of some of …” „… . But if we move away from marketing, which within our field as in-house sound designers is often …” „… total of 474 sound designers, which tells you that several people were submitting far more than one …”

Alex Moulton Audio Branding Congress 2012 Summary S. 11-28

„… gain translates to larger ROI. Award Case Study: Nokia Henry Daw, Principal Sound Designer at Nokia …” „… and implementing a continued rollout of experiential sound design for additional Harrods departments …” „… or illogical sound pairing. Klemens Knöferle Knöferle’s tests are designed around playing …”

Rayan Parikh, Susan Aminoff Show Me The Metrics! Validating Effectiveness of Dell’s Audio Identity System™ Assets S. 105-115

„… objectives, and work backwards to design the right research program: Often research programs are designed to …” „… communications toolkits. With this transition comes the requisite expectation that brand-based music and sound …” „… tool. With over three decades’ experience developing brand-based music and sound for businesses …”

Johannes Pauen, Alexander Wodrich DKSH Audio Branding S. 87-93

„… ), completed the corporate identity and design implementation, the company wanted to enhance their brand …” „… presentation by adding a brand sound – one that reflects both its Swiss and Asian heritage. Figure 2 …” „… . Positioning of the DKSH brand sound 3. Asia and Switzerland Research conducted into the listening habits in …”

Michele Arnese, Rudi Mauser The Linde Group: The Story Behind a Unique Audible Identity S. 115-126

„… every industry, and in more than 100 countries. Why is The Linde Group searching for a sound identity …” „… “house concerts”. Hence the decision for The Linde Group to start developing its own sound identity has …” „… improve brand uniqueness with the key element of a sound identity. With a better integration of all …”

Hauke Egermann Jon Ludvig Hansen, Alan Pickering Linking Theories of Emotion-Induction to Applications in Audio Branding S. 155-167

„… characteristics (e.g. sudden, dissonant, or loud sounds) of any auditory stimulus signals importance to the human …” „… design, we could also demonstrate universal responses to basic music features like loudness in a …” „… existing software toolboxes can be used to extract sound features that allow to predict which emotional …”

doi.org/10.5771/9783845243559

Kai Bronner, Rainer Hirt, Cornelius Ringe - ((( ABA ))) Audio Branding Academy Yearbook 2010/2011

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Kai Bronner (ed.), Rainer Hirt (ed.), Cornelius Ringe (ed.)

((( ABA ))) Audio Branding Academy Yearbook 2010/2011

2013

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Markus Bodden, Torsten Belschner Sound Design for Silent Vehicles: Security – Identity – Emotion S. 67-85

„… 67 Sound Design for Silent Vehicles: Security – Identity – Emotion Dr. Markus Bodden, Torsten …” „… that poor sound design can quickly deteriorate into acoustic chaos. The approach implemented in the …” „… accomplished. Sound Design for Silent Vehicles 68 2. History and prognosis of EV development Electric …”

Thorsten Teichert, Daniel Wagenführer, Christian Weisssteiner Sound Design for New Products: Interactions with Technical Functionalities and Branding S. 179-189

„… . Pricefocused Sign. Technicians Sign. Designfocused Sign. Sound design * Technical func. -0.003 0.952 0.085 …” „… 179 Sound Design for New Products: Interactions with Technical Functionalities and Branding Prof …” „… Sound Design and Branding, Interaction of Sound Design and Branding, Interaction of Sound Design and …”

Charles Spence Sound Design: Using Brain Science to Enhance Auditory & Multisensory Product & Brand Development S. 33-51

„… a branding context completed the invited presentations. Sound Design: Using Brain Science to …” „… Sound 51 Margarita Bochmann Audio Branding Barometer 2010 55 Jens Köckritz Sound Design for Silent …” „… 35 Sound Design: Using Brain Science to Enhance Auditory & Multisensory Product & Brand …”

Company Directory S. 255-276

„… MassiveMusic 268 MetaDesign AG 269 Musikvergnuegen 270 Radja 271 s12 GmbH 272 Sound Branding 273 The …” „… www.comevis.com Audio branding and sound design company 2002 18 Sound branding, audio marketing, audio …” „… branding agency 1994 4 Corporate sound with holistic approach, sound design, 3D sound worlds About the …”

About the Authors S. 239-254

„… interface between the aesthetics of sound design and the technicalities of software. He creates and …” „… active role in the relaunch of Audi Corporate Design. As project manager for Corporate Sound Bochmann …” „… , sound communication, sound design and has been supervising research projects on sound and crossmodal …”

Gianpaolo D'Amico, Sara Lenzi Sound for Electric Vehicles S. 85-95

„… acoustic & sound design agency Lorelei to work on the design and development of an audio solution for EVs …” „… at the beginning and represents one of the most important challenge for the sound design and audio …” „… : Lorelei Lorelei3 is a sound & acoustic design agency founded in 2008 in Italy that is active in the …”

Cetin Demirci, Hanna Ruf, Cornelius Stiegler Summary Audio Branding Congress 2010 S. 11-32

„… . Sound Design: How understanding the brain of the consumer can enhance auditory and multisensory …” „… product/brand development Prof. Dr. Charles Spence, University of Oxford, put sound design in context of …” „… . Sound Design for New Products: Interactions with Technical Functionalities and Branding Daniel …”

Cornelius Stiegler Sound Communication – Towards a New Understanding of Client Communication in the Sound Branding Process S. 165-179

„… Stiegler, Berlin University of the Arts, Germany Sound Design for New Products: Interactions with …” „… . Design of the Expert Study To examine how current communication about sound is managed by the agencies …” „… MetaDesign, Berlin Sound Communication 172 tant than their felt impression. According to the experts, one …”

Kai Bronner, Rainer Hirt, Cornelius Ringe Prelude S. 5-10

„… for multisensory design and product development met sound designers, music consultants, as well as …” „… worlds in future vehicles will sound like. For car manufacturers, sound design has already been a major …” „… , and the opportunity to add an artificial sound to the engines, sound design in the automotive …”

Jürgen Barthel Sound Branding @ Siemens S. 141-149

„… corporate design, our aim was not simply to create a striking sound logo but to define certain fundamental …” „… ’ corporate design, our corporate sound builds on our brand identity and attributes as well as the Fibonacci …” „… with all Sound Branding @ Siemens 148 the corporate design information, guidelines, tools and …”

Zanna Unimed-Rio’s Sound Communication – A Case Study S. 149-159

„… with the brand in order to maintain sound unity at all of these points of contact. Sound Design – The …” „… next step. Conclusion Music, sound logo, voice, repertoire and sound design are the five basic …” „… 4. Repertoire 5. Sound design 1.5 Expressions We produce the pieces needed to compose the …”

John Groves The Development and Implementation of a Sound Identity for DATEV eG: A Case Study S. 117-131

„… : MetaDesign AG, Berlin, Germany Unimed-Rio’s Sound Communication – A Case Study 149 Client: UNIMED-Rio …” „… the principles of Sound Branding in their communications, although the sound design was found to be …” „… instructions for the composer/sound designer. It consists of comprehensive information necessary to create the …”

Jens Köckritz Audio Branding Barometer 2010 S. 55-67

„… optimistic and expecting further growth in 2011. 67 Sound Design for Silent Vehicles: Security …” „… , such as handy ringtones it has become evident that poor sound design can quickly deteriorate into …” „… of sound applications market research supervision of implementation music production musical …”

Alex Moulton CNN International Rebrand S. 131-141

„… between using music or sound design to define their show opens, a new trend emerged in the 1970s that …” „… network. We wanted our new brand promise to come to life with a look, feel and sound that would be …” „… project. The Early Sound of News The first documented news source to be accompanied by music was the …”

Jesper Ramsgaard, Søren Holme, Karsten Kjems, Guillaume Le Ray, Nick Zacharov Quantifying Characteristics of Sound in a Branding Context S. 95-116

„… input to the complex decisions that marketeers and creative sound designers face in their everyday life …” „… 1 The term ‘sound brand practitioners’ refers to sound brand professional like sound designers …” „… 95 Quantifying Characteristics of Sound in a Branding Context Jesper Ramsgaard1, Søren Holme2 …”

Tom Stephenson Music in Television Advertising: How Sound Logos Affect Consumer Emotions S. 203-217

„… 203 Music in Television Advertising: How Sound Logos Affect Consumer Emotions Tom Stephenson …” „… Key words Sonic Branding, Sound Logo, Advertising, Television, Emotion. Abstract Modern branding is …” „… the relationship between sound logos in television advertising and affective responses to brands …”

Jenny Müller, Manfred Kirchgeorg Audio Branding in Line with Brand Personality S. 189-203

„… of this study we will only focus on the sense of sound. 2.2 Defining brand personality Brand …” „… in environmental design. Pine & Gilmore (2007) state that the multisensory experience needs to be …” „… Behind the Stuff We Buy: Build Powerful Brands Through Touch, Taste, Smell, Sight, and Sound. London …”

Beate Flath Sound & Image. An Experimental Study on the Influence of Acoustical Parameters on the Perception of a Product’s Image in TV-commercials S. 229-238

„… “melody-shape”, sound-durations and rhythm of the foregroundsound. The experiment is designed as a …” „… 229 Sound & Image. An Experimental Study on the Influence of Acoustical Parameters on the …” „… Sound-qualities, product’s image, TV-commercials. Abstract The following text presents an experimental …”

Margarita Bochmann Audi Corporate Sound S. 51-55

„… 51 Audi Corporate Sound Margarita Bochmann Audi AG, Germany The Audi Corporate Sound concept …” „… goes way beyond individual elements such as a sound logo or a brand song. Indeed, it seeks to offer an …” „… acoustic experience of the brand in all applications – worldwide. The Audi Corporate Sound unites …”

doi.org/10.5771/9783845230146

Christofer Jost, Klaus Neumann-Braun, Daniel Klug, Axel Schmidt - Die Bedeutung populärer Musik in audiovisuellen Formaten

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Christofer Jost (ed.), Klaus Neumann-Braun (ed.), Daniel Klug (ed.), Axel Schmidt (ed.)

Die Bedeutung populärer Musik in audiovisuellen Formaten

Series: Short Cuts | Cross Media

Volume 1 2009

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Dietmar Elflein Sound Design versus populäre Musik. Gedanken zum Verhältnis von Bild und Ton, nicht nur im Schauspiel S. 65-84

„… 65 Sound Design versus populäre Musik. Gedanken zum Verhältnis von Bild und Ton, nicht nur im …” „… mit einigen Beispielen zeitgeschichtlicher Ereignisse konfrontiert. Das Sound Design für dieses …” „… ) vorausgesetzt werden. Ohne Kenntnis der deutschen Sprache wird der einzige Musikeinsatz im Sound Design zu …”

Christofer Jost, Klaus Neumann-Braun, Daniel Klug, Axel Schmidt Der Song im Zeichen der Audiovision. Einführung in ein disparates Forschungsfeld S. 7-20

„… im Sound Design entsprechender Werke sind die Wissenskontexte und Assoziationsfelder, die im Moment …” „… Zusammenhänge und Problematiken von Sound Design und populärer Musik auf. So wird das fehlende visuelle Element …” „… Sound’ agiere in der Art eines Bauchredners (ventriloquist), indem ‚er’ einen ‚dummy’ (das Bild …”

Titelei/Inhaltsverzeichnis S. 2-6

„… . Zur Materialität von Popsongs in audiovisuellen Medien 45 Dietmar Elflein Sound Design versus …” „… Bedeutung von populärer Musik bei MTV Germany und VIVA 145 Martin Pfleiderer Sound und Rhythmus in …”

Verzeichnis der Beitragenden S. 243-245

„… . des., freiberuflicher Autor, Komponist und Sound Designer; jüngste Publikationen: Station 17 – a case …” „… Verhältnis von Beat, Sound und Stimme im Hip Hop, in: Fernand Hörner, Oliver Kautny (Hg.): Die Stimme im …”

Marc Pendzich Popbearbeitungen. Zur Materialität von Popsongs in audiovisuellen Medien S. 45-64

„… , Gesang m. E-Piano, Wohnzimmer vor CD-Regal und Designer-Uhr, YouTube- Upload 12.02.2008, 1.551 Aufrufe …” „… und einer Designer-Uhr sitzend. Sie blickt während des gesamten Vortrages in die von einer weiteren …” „… auf existierendes Aufnahmematerial: Vorgemischte Sounds, Beats und Tracks sind die zentralen …”

doi.org/10.5771/9783845220604

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