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Christofer Jost - Musik, Medien und Verkörperung

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Christofer Jost

Musik, Medien und Verkörperung

Series: Short Cuts | Cross Media

Volume 5 2012

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Literatur S. 287-302

„… .): The Popular Music Studies Reader. London. S. 85–91. Auslander, Philip (2006b): „Musical Personae“. In …” „… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 106–113. Berger, Harris …” „… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 36–43. Bradby, Barbara …”

Szene S. 92-96

„… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 194–200 sowie Gabriele …” „… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 106–113. 253 Vgl. ebd …” „… , Jason (Hg.): The Popular Music Studies Reader. London. S. 114–120. 262 Vgl. Lee/Peterson 2004, S. 200 …”

Ethnizität S. 87-92

„… , Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 179–186. 242 Gilroy expliziert die …” „… Popular Music Studies Reader. London. S. 201–207). 244 Vgl. Jason Middleton und Roger Beebe (2002): „The …” „… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 194–200 sowie Gabriele …”

Gender/Sexualität S. 81-87

„… , Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 362–369. 84 Auf der Grundlage von …” „… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 355–361. Zu diesem Thema …” „… , Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 370–376. 226 Vgl. Diane Railton (2001 …”

Stimme S. 31-35

„… , Andy/Shank, Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 36–43, Dai Griffiths …” „… , Barry/Toynbee, Jason (Hg.): The Popular Music Studies Reader. London. S. 29–35. 39 Zu Stimme als …” „… (1995): Interpreting Popular Music. Berkeley. S. 78. 25 Im Original: „metanarratives“. Untersucht wird …”

Tanz S. 72-77

„… .): The Popular Music Studies Reader. London. S. 121–127. 193 Ebd., S. 121. 77 Folgende Elemente benennt …” „… Underground und kommerzieller Vereinnahmung. ‚Dance music‘ entsteht danach im überschaubaren Rahmen eines …” „… Forschungs- und Expli- 179 Vgl. Will Straw (2001): „Dance music“. In: Frith, Simon/Straw, Will/Street, John …”

Liveness (Performance und Medientechnologie) S. 64-72

„… Music Studies Reader. London. S. 85–91. Zu Liveness im Zeitalter digitaler Mediennutzung siehe ders …” „… ermöglicht (vgl. ebd., S. 369 ff.). 157 Vgl. Jason Toynbee (2000): Making Popular Music. Musicians …” „… over 80 percent of all the commercial music of the world is controlled by five multinational firms. It …”

Identität, (Inter-)Aktivität und Materialität S. 107-122

„… .): The Popular Music Studies Reader. London. S. 19 f.). 21 Der Tonträger wird als Medienprodukt (Album …” „… Recorded Music. Cambridge. S. 221–245 und Albrecht von Massow (2008): „Raumerfahrung als Kriterium der …” „… Festivals Live 8 oder das Konzert der Band U2 vor dem Brandenburger Tor im Rahmen der MTV Europe Music …”

Mediale Personen S. 122-129

„… make a little headway. Last’s construction of a new mode of hyper-conviviality for easy listening music …” „… glass on stage before he developed his convulsive dance. Later he read Dostoevsky, Nietzsche and Sartre …” „… deutlich hervor. Eine Gattung wie die des Musicals, bei der es vorrangig um die Darstellung einer …”

doi.org/10.5771/9783845236704

Ute Elena Hamm - „Musik zum Lesen“ – musikalisch-literarische Hybride

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Ute Elena Hamm

„Musik zum Lesen“ – musikalisch-literarische Hybride

Series: Musik und Literatur | Music and Literature

Volume 3 2023

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Beispielverzeichnis S. 639-644

„… 2936.1 Dieter Schnebel: MO-NO. Musik zum Lesen/MO-NO. Music toRead, ins Englische übersetzt vonMargarete …” „… ) 3466.2 Dieter Schnebel: MO-NO. Musik zum Lesen/MO-NO. Music toRead, ins Englische übersetzt von Margarete …” „… Lesen/MO-NO. Music toRead, ins Englische übersetzt vonMargarete Rühle, Köln 1969, S. 7,63, 83, 150 3756.4 …”

Quellen- und Literaturverzeichnis S. 611-638

„… . Music to Read, erweiterte Neuausgabe, ins Eng-lische übersetzt von Margarete Rühle, Köln 2018.Schönberg …” „… zumLesen/MO-NO.Music toRead. ErweiterteNeuausgabe,ins Englische übersetzt von Margarete Rühle, Köln 2018, o.S.Ono, Yoko …” „… Silence and Stillness. Silent Music/Zwischen Stille und Bewegungslosigkeit.Stille Musik, in: Gisela …”

Ut musica poesis S. 11-20

„… , Ut musica poesis.13 Dieter Schnebel: MO-NO. Musik zum Lesen/MO-NO. Music to Read, ins Englische …” „… über-setzt von Margarete Rühle, Köln 1969, Klappentext; Dieter Schnebel: MO-NO. Musik zumLesen/MO-NO. Music …” „… to Read, erweiterte Neuausgabe, ins Englische übersetzt von MargareteRühle, Köln 2018, Klappentext …”

John Cage: Lecture on Nothing S. 237-344

„… , in: Stanley Sadie (Hrsg.): TheNewGrove. Dictionaryof Music and Musicians, Bd. 4, 2. Aufl., London/New …” „… giving all through thisconversation – when we’re writing music, that’s what’s important, and when …” „… sometimes occured to me that my pleasure in composition,renounced as it has been in the field of music …”

Dieter Schnebel: MO-NO – Musik zum Lesen S. 345-464

„… deut-sche und eine englische:MO-NO–Music to Read. Die Übersetzung stammt vonMargarete Rühle, jedoch …” „… gibt!19Aus dieser Beobachtung heraus entstehen Werke wie nostalgie (visible music II)(1962), in dem die …” „… Attinello: Schnebel, Dieter (Wolfgang), in: Stanley Sadie (Hrsg.): The New Grove.Dictionary of Music and …”

Musik und Literatur: Beschreibungsmodelle S. 23-68

„… – Sound – Music,Berlin/Boston 2015, DOI: 10.1515/9783110311075-026, S. 468.26 Werner Wolf: Musik in …” „… Music Studies (WMA) etwa die ›Word andMusic Studies‹ mit eigener gleichnamiger Schriftenreihe. Doch der …” „… . ebenfalls von Scher herausgegebenen Schrif-tenreiheWord andMusic Studies aus dem Jahr 1999wieder. Obwohl …”

doi.org/10.5771/9783968219943

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Martin Kirnbauer (ed.), Christelle Cazaux

Tanz und Musik

Series: Basler Beiträge zur Historischen Musikpraxis

Volume 42 2024

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Mojca Gal The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave S. 281-298

„… theatrical music:On ne s’étonnera point que les Italiens trouvent que notre Musique berce & qu’elle endort …” „… the diction and phrasing and aim to guide the less skilful musician through the execution of the music …” „… concerti (Italian music) but makes no mention of it for French music. In the Largo and Adagio movements of …”

Mary Channen Caldwell Revisiting the “Clerical Dance Song” in Medieval Europe S. 29-60

„… both musical and textual information enable a deeper analysis of music-dance relation-ships in …” „… all-embrac ing, all-pervading concept of musica” in the Middle Ages (Words and Music in the Middle Ages: Song …” „… witness of Johannes Grocheio’s Ars musice identifies dance as emerging from musical practice and its …”

Björn Schmelzer The Monstrosity of Early Music. Revivalism and the Excess of Musical Survivals S. 367-404

„… MusicRevivalism and the Excess of Musical SurvivalsBjörn Schmelzer(1)In one of his most famous novels, The Return …” „… churches; they were criticised less by specialists of modern music than so-called musico-graphes and …” „… reader conclude that the matter must be pertinent in the writer’s eyes. The Monstrosity of Early Music …”

Katarina Livljanić Medieval Stories and Rituals on Today’s Stage. Between Art, Scholarship, Obedience, Fashion and Horror Vacui S. 341-354

„… LivljanićEvery time that we, today’s musicians, step onto the concert stage to perform medieval liturgical music …” „… Collins, Medieval Church Music-Dramas: A Repertory of Complete Plays, Charlottesville, University Press …” „… stage, they transform narrative texts into musical performances, and they transplant religious music …”

Jan-Friedrich Missfelder On Necromantic History (and Music) S. 355-366

„… (and Music)Jan-Friedrich MissfelderSome of the challenges musicians who engage with historically …” „… academic instead of artistic approach to music.22 Musicological debates about the (im)possibility of …” „… listener / reader is left with little more than his / her musical fascination and bewilderment upon which …”

Rebecca Harris-Warrick Ending an Opera: What Happens When Dancing Replaces Singing? S. 159-178

„… on an intertwined relationship between choreographed movement, music, and the singing voice, all …” „… connections between vocal music and dance music grew weaker. How are we to interpret an opera whose ending …” „… , convey meanings that attentive listeners and viewers can learn to read? This article offers some starting …”

Abstracts und Kurzbiographien S. 417-440

„… , including the Journal of the American Musicological Society, Music & Letters, Journal of the Royal Musical …” „… music from a musical, textual, and scenic-dramaturgical perspective. This comparative analysis of the …” „… of the musical and choreographic features of this dance and its music from thirteenth-century service …”

Cristina Cassia From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy S. 83-104

„… Manuscript Sources of 17th-Century Keyboard Music, Ann Arbor: UMI 1980 (Studies in Musicology 18), 144 …” „… Songs, ed. H. Colin Slim, American Institute of Musicology, 1975 (Corpus of Early Keyboard Music 37 …” „… , ed. Willi Apel, [s. l.]: American Institute of Musicology 1963 (Corpus of Early Keyboard Music 2 …”

Baptiste Romain Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory S. 267-280

„… composition is certainly feasible, but it presupposes the ability to read music and knowledge of imitative …” „… of solo keyboard or consort music-making in burghers’ circles, it seems that Renaissance …” „… about orality in music,5 further questions about the relationship between the emergence of musical …”

Tim Carter Darf man das? Listening to Music This Way and That S. 327-340

„… Musical Association 135, Supp. 1 (2010); The Oxford Handbook of Music Listening in the 19th and 20th …” „… music in the period therefore tied themselves in knots when it came to musical listening. One case in …” „… “Musical Debate” is between a cranky Signor Severo who dislikes music in every possible way, and a cheerful …”

Ralph Bernardy Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation S. 217-250

„… : «Riepels reader-ship was heavily populated with amateurs who would appreciate genial commen-tary and simple …” „… Koch’s Polemic against Joseph Haydn», in: Music Theory Online 14/1, www.mtosmt.org (20.2.2022).22 Robert …” „… Gjerdingen, Music in the Galant Style, Oxford: Oxford University Press 2007, 61.23 Ebd., 61–62. An anderer …”

Laila Cathleen Neuman Performing Goethe’s Proserpina (1815). A Practice-Based Study of Gestural Attitudes, Movement, and Music S. 299-320

„… Proserpina (1815)A Practice-Based Study of Gestural Attitudes, Movement, and MusicLaila Cathleen NeumanOn 4 …” „… musical festivities at Goethe’s house and later became the director of music at the ducal court and of the …” „… Politics: Goethe’s Proserpina with Music by Carl Eberwein”, in: Musical Receptions of Greek Antiquity …”

Anne Daye Measure: Moving In and Out of Time S. 105-132

„… music.However, Arbeau’s Allemande fits Morley’s guidelines neatly. Each double step is given in four minims, but …” „… barring of the musical score. The pavan itself was a dominant dance and music form, opening every ball in …” „… a consistent practice in fitting steps to music in Late Renaissance (ca.1550 – ca.1650) dances. For …”

Jennifer Nevile Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice S. 61-82

„… the music. When one reads contemporary accounts of dance performances, especially danced spectacles …” „… )”, in: Studi musicali 8 (1979), 189–202.Dance as a Physical Expression of Music 65SV_ 978-3-7965-4972-4 …” „… the music that accompanies it. Domenico and his colleagues regarded the science of musical …”

Hanna Walsdorf Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung S. 133-158

„… the Turn of the Seventeenth Century: The Texted Galliard», in: James M. McGlathery (Hg.), Music and …” „… Wohlleben zur Frewde gantz be-quem: Zuuor dergleichen nie in Druck ausgangen: Jetzo aber allen der Music …” „… grundlegend Gary C. Thomas, «Dance Music and the Origins of the Dac-tylic Meter», in: Daphnis 16 (1987 …”

doi.org/10.24894/978-3-7965-4973-1

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Laura Niebling

Rockumentary

Series: Marburger Schriften zur Medienforschung

Volume 79 2018

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Bibliographie S. 359-392

„… , Andre Goodwin und Lawren-ce Grossberg (2005): Sound and Vision. The Music Video Reader. London und New …” „… .): The Popular Music Studies Rea-der. London und New York: Routledge. S. 333–343.Laing, Heather (2007 …” „… Cosmopolita-nism. In: John Shepherd und Kyle Devine (Hrsg.): The Routledge Reader on the So-ciology of Music. New …”

«Video Revives The adio Star» – Einleitung S. 7-34

„… in allen Dekaden – von Woodst ock – 3 Days Of Pea ce and Music (USA 1970, Regie: Michael Wadl-eigh …” „… simulieren kann? Er notierte vielmehr noch: «It need hardly be stressed that films featuring music for its …” „… Film Music Studies respektive der deutschen Filmmusikforschung. Die Disziplin erschließt sich …”

Die Rockumentary – Annäherung und intermedialer Kontext S. 35-64

„… Analyse des Routledge Reader on the Sociology of Music heißt es dazu: «Historically, art music critics …” „… im Vertrieb von CDs über den ‹Public Radio MusicSource›-Service, von dem die öffentlichen …” „… , Behind the Music (USA 1997–heute) oder VH1 St or ytellers (USA 1996–heute) sowie Konzert- und …”

doi.org/10.5771/9783741000850

Chiara Caradonna, Vivian Liska - Zäsuren / Caesurae

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Chiara Caradonna (ed.), Vivian Liska (ed.)

Zäsuren / Caesurae

2024

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Adam Lipszyc Three Trumpets. On the Counter-Theology of the Sound in Paul Celan S. 211-221

„… , perhaps, stands in peculiarly close relation to the very origin of music.In order to pinpoint that origin …” „… Lipszycpiece on Kol Nidre.6 Reik’s starting point is the big question concerning the origin of music as such …” „… music. Against this background, he points to a peculiarly casual remark about the origin of music, from …”

Yarden Ben-Zur The Blow of the Shofar. Paul Celan, Theodor Reik, and the Search for the Empty Text S. 202-210

„… for the birth of mu-sic in ancient Hebrew culture. According to Reik, the ancient Hebrew musical …” „… 86.3 The connection between the first musician and a stream of water may hint to the fluidity of music …” „… that music indeed plays a role in the Hebrew tradition and is, as portrayed in the Bible, firmly …”

Michael G. Levine The Place of the Trumpet, the Displacements of the Intertextual S. 222-238

„… Celan’s poem is ghosted from the first by another lan-guage, that it is written to be read as a …” „… would, on the one hand, draw the reader, now troped and positioned as a listener, into the poem, and, on …” „… empty-text: a document of destruction. The trumpet music is a mean-ingless text, played through a hole in the …”

Christine Frank »Du liest [...] Rebleute«. Celan’s Poetics of Reading S. 269-300

„… 269 Christine Frank »Du liest […] Rebleute«Celan’s Poetics of ReadingWhat happens when we read a …” „… is captured being read, a process which might be called upon over and over again? Can one take a poem …” „… spread out in us, to bring us the seed of the word, to enrich us? How do we as readers re-act to this aim …”

Sidra DeKoven Ezrahi Shlosha Paytanim. Paul Celan Meets Yehuda Amichai and Dan Pagis in Jerusalem S. 100-112

„… survived to write German in a foreign land; Hebrew would remain for him and his readers hidden or …” „… has read his poetry even in cursory fashion knows that his lines host myriad languages that conduct an …” „… EzrahiGrapegrowers dig for the dark-houred clockdepth by depth,you read,the invisible onehe orders the winds behind …”

Shira Wolosky Art’s Time. Celan’s and Levinas’s Answerable Aesthetics S. 328-345

„… Ricoeur, »Life: A Story in Search of a Narrator«, in: Mario Valdes (ed.), A Ricoeur Reader, Toronto 1991 …” „… of language has been read, and not wrongly, as a fracturing of language’s referentiality to force …” „… tribute to Celan af-ter his death. The title »Reality and Its Shadow« willfully invokes Plato, but to read …”

doi.org/10.5771/9783835347205

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