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Paul Roberts

Reading Franz Liszt

2022

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Introduction. Making a Sound S. 1-8

„… Goethe’s Faust and Dante’s Divine Comedy.But it was in his piano music that he first began his exploration …” „… , “The Music of Desire.”Musicology over the past decades has at last turned to literary questions, but in …” „… same prestige for music—and himself.Introduction 3One of his earliest letters, from 1832, begins with …”

7. The Aura of Byron: Années de pèlerinage—Suisse S. 95-114

„… intention, just the year before, “to be the first to introduce poetry into piano music with sense of …” „… , and the spirit of Beethoven gives its blessing. Piano music has achieved the status of the finest of …” „… performing music in the home, on the instruments eagerly sought from the innumerable piano makers such as …”

About the Author S. 183-184

„… music—Images: The Piano Music of Claude Debussy and Reflections: The Piano Music of Maurice Ravel, both for …” „… 183About the AuthorBritish pianist Paul Roberts has written seminal books on impressionist piano …” „… Amadeus Press—and has recorded the music of Debussy, Ravel, and Liszt. Before embarking on his concert …”

3. The Music of Desire: Petrarch Sonnets S. 27-48

„… Petrarch Sonnets as solo piano music, but the question is complicated by the fact that he first wrote the …” „… of words, Petrarch’s poem—into music.Figure 3.2. Petrarch Sonnet 47, mm. 1–19.Editio Musica, 1974.The …” „… of rhyming words at the very point of disowning music:Enough, no more!‘Tis not so sweet as it was …”

Appendix S. 145-156

„… far-reaching consequences, notably in the piano music of Messiaen.Lamartine’s poem expresses the immensity of …” „… musical time. His music demonstrates a total absorption of the text, which is treated not narratively—not …” „… nature of temptation, sexual allure, and the powers of musical virtuosity. If music can be erotic, the …”

4. The Question of Goethe’s Faust: Sonata in B minor S. 49-64

„… holds a central place as one of the greatest works of nineteenth-century piano music: for its monumental …” „… music.There is no question that Faust was central to Liszt’s imaginative and philosophical view of the world …” „… rhythm? Who can liftParticular things into a general senseOf some great music’s congruence?24Liszt gave …”

Preface

„… Paris (CC0 1.0).Reading Franz LisztRevealing the Poetry behind the Piano MusicPaul RobertsLanham …” „… the piano music / Paul Roberts. Description: Lanham : Amadeus Press, 2022. | Includes …” „… . | Piano music—19th century—History and criticism. | Music and literature. Classification: LCC ML410.L7 …”

9. Music and Poetry: The Dante Sonata S. 131-144

„… Liszt’s piano music, I recalled a celebrated piano teacher who was skeptical about Liszt’s literary …” „… to establish the final tonic major. The music closes down; piano becomes pianissimo then molto …” „… into piano music” is to our infinite benefit. Liszt’s music helps us “comprehend the incomprehensible.” …”

5. Music as Metaphor: Sonata in B minor S. 65-78

„… emotions as expressed by another piece of music beloved by Liszt. So the metaphor is also a musical one …” „… . Reprinted Dover Publications, 1989.Music as Metaphor 75literally transformed into Gretchen. In musical …” „… 65• 5 •Music as MetaphorSonata in B minorThe f ield, here, is wide open to the imagination of the …”

1. Life, Literature, and Music S. 9-18

„… we react to a particular part. An example would be how our experience of Liszt’s late piano music is …” „… 9• 1 •Life, Literature, and MusicOut of what can the artist create if he does not create out of …” „… previously known—about the life, the music—is now more concentrated, more vital, in a word more meaningful in …”

Notes S. 157-174

„… ,” in Paul Roberts, Reflections: The Piano Music of Maurice Ravel (Lanham: Amadeus Press, 2012), 21–35.9 …” „… Strunk, Source Readings in Music History (London: Faber, 1982), 123. For Liszt the art of piano playing …” „… . Robert Schumann, in Robert Schumann on Music and Musicians, ed. Konrad Wolff, trans. Paul Rosenfield …”

Index S. 179-182

„… , 77, 91, 95–96, 96, 117, 125, 134, 139, 146, 165n28; Corialan Overture, 66–67, 73, 102; piano works, 3 …” „… Romanticism, and DanteDante Sonata. See Liszt, Franz, Solo piano worksPage references for figures are …” „… , 96, 105; and music as thought, 40, 61, 70–72, 75, 89–90, 112, 126–27, 163n28; as performer, 5–6 …”

Select Bibliography S. 175-178

„… Liaisons: The Literary Text in Musical Criticism.” 19th-Century Music 13, no. 2 (1989): 159–67 …” „… . London: Robson Books, 1976.———. Music Sounded Out. London: Robson Books, 1990.———. Alfred Brendel on …” „… Music: His Collected Essays. London: JR Books, 2007.Brook, Peter. The Empty Space. London: Penguin, 1972 …”

8. Mental Theater: Années de pèlerinage—Suisse S. 115-130

„… Chopin étude—in “Orage” piano technique becomes integral to the imagi-native effect. This is music …” „… central element of Liszt’s ambition to create a union of words and piano music. The quoted text culminates …” „… “feeling,” which is actually the undefined realm of music—not Byron’s conclusion, but very much Liszt’s …”

2. The Pianist as Actor S. 19-26

„… seems, from contemporary accounts, acted—not theatrically but through the music:As he played the arias …” „… , yet here he is articulating a concept of live music-making that relies on more than the music itself …” „… 19• 2 •The Pianist as ActorThe rise of the actor in music: a momentous event which not only leads …”

6. The Romantic Image: “Vallée d’Obermann” S. 79-94

„… , Lento) is one of the most 92 Chapter 6transfixing moments in all of Liszt’s piano music, the equal of …” „… , might lead one to that conclusion. Indeed for the Liszt pianist, an uninhibited embrace of the music’s …” „… response to a storm in the Alps. In “Vallée d’Obermann,” Liszt uses the tropes of storm music—of which he …”

doi.org/10.5771/9781538143353

Willy Bettoni - Franz Liszt under the Light of Progress

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Willy Bettoni

Franz Liszt under the Light of Progress

Series: Voces

Volume 20 2021

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Sint, ut sunt, aut non sint! The late piano works and the Music for the Future S. 273-308

„… 273 VI Sint, ut sunt, aut non sint! The late piano works and the Music for the Future Der Schwer …” „… music, and not vice versa. For that reason, an analysis of Liszt’s late piano compositions is …” „… admission «was developed with a specific musical repertoire in mind, the atonal (non 12-tone) music of the …”

The B minor Piano Sonata S. 178. The meaning of progress S. 165-242

„… 165 PART II THE PROGRESS IN MUSIC 167 IV The B minor Piano Sonata S. 178 The meaning of …” „… Adolphe Pictet of 1838 contains the aesthetic programme of Liszt’s piano music – «ma ferme volonté est de …” „… sola scrittura di alcune idee musicali in un quaderno di appunti del 1851». 180 IV The B minor Piano …”

Nel mezzo del cammin di nostra vita S. 243-272

„… religious music for piano, orchestra, and chorus. The piano productions of this period do not represent …” „… source of musical material. Part of Liszt’s musical innovation finds its roots in the ancient music …” „… 1869–1880: the wandering Franciscan by Arnold. But it is also the best tool to destroy music’s last barrier …”

About Liszt’s biography and the state of research S. 13-20

„… religious music, both for piano and for orchestra. On April 25, 1865, Liszt received the tonsure and on …” „… somehow closes the period of the music “for the others”, and opens the period of “music for music’s sake …” „… diaries, sketchbooks, letters and other literary and musical material, a great number of musicologists …”

Conclusion S. 309-318

„… present in his early compositions, even if in other ways. Hence, through the late piano music one reaches …” „… theoretical part and the music analysis part, with the B minor Piano Sonata as a noted treatise on the idea …” „… side the musicians and the music theorists; on the other side the men of letters, philosophers …”

Research perspectives S. 21-30

„… conception of a non-tonal harmony, and the return to more elementary musical structures. Modal music, united …” „… relation to the idea of the Music of the future, but completely ignored with regard to the cultural …” „… composer who spent his entire life spreading the new music of the Neudeutsche Schule (though not only …”

Titelei/Inhaltsverzeichnis S. 1-10

„… ! The late piano works and the Music for the Future 273 Introduction 275 Es muss sein! The late …” „… the Light of Progress The Idea of Mehrdeutigkeit as Aesthetic Paradigm in the Piano Compositions …” „… under the Light of Progress The Idea of Mehrdeutigkeit as Aesthetic Paradigm in the Piano Compositions …”

On the idea of progress S. 31-94

„… music, of musicians and of composers was changing too, since they are all related to or a product of …” „… writers and philosophers, but for musicians and for those music theorists who saw the ambiguity of some …” „… of Saint-Simon, as Liszt was a curious reader and his interests ranged from music to religion, from …”

Im Reich der Ideen. An analysis of Liszt’s essay Berlioz und seine Haroldsymphonie S. 95-164

„… musical structures, which the composers used to create music, which is otherwise Formlos, without form …” „… the idea of Schumann on critique, i. e. only the musician could critique the music, because they know …” „… musical materials to Liszt, namely to inform the readers that music was not as it is nowadays, and that …”

doi.org/10.5771/9783968218106

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Lars E. Laubhold (ed.)

Eduard Steuermann

2022

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Werner Unger Eduard Steuermanns phonographischer Nachlass. Aktuelle Situation und Perspektiven S. 193-246

„… School of Music, 10 October 1962. –LoC 1994 (Rachel List: »potpourri tape«)+ LessonChopin, Piano Concerto …” „… Steuer-mann, piano1950-07-06New YorkLiveunpublishedRecorded 6 July 1950 at Juilliard School of Music, New York …” „… , violinJoseph Schuster, celloEdward Steuer-mann, piano1941-??-??New York StudioDVD* Rockefeller Film Music …”

Bibliographie S. 503-522

„… und Gunther Schuller, Lincoln – London 1989, S. 150–158.Steuermann, »Schoenberg Piano Music …” „… « = Edward Steuermann, »Schoenberg Piano Music«, in: The Not Quite Innocent Bystander. Writings of Edward …” „… Piano Music of Schoenberg« = Edward Steuermann, »The Piano Music of Schoenberg«, in: The Not Quite …”

Lars E. Laubhold »… some Bach, some Mozart …«. Eduard Steuermann interpretiert Musik des 18. Jahrhunderts S. 271-299

„… scribbling in my music. When I had finished, Steuermann stood up, walked to the piano, and said, ›Very nice …” „… . But this is how I play it.‹ He handed me the music, sat down at the other piano, and without an -oth …” „… Russian Piano School, Vol. 3: Samuil Feinberg, © 1995 BMG Music/℗ 1995 Melodiya 74321 25175 2, online …”

Anton Voigt … eine ganz hervorragende Wiener Schule …? Eduard Steuermann als Klavierpädagoge S. 104-165

„… Pedal in Schoenberg’s Piano Music«, in: Festskrift Jan Maegaard, hrsg. von Mogens Andersen, Copenhagen …” „… . 153–165.165 Für später in den USA publizierte Texte zu Busoni und Schönberg siehe: »Busoni Piano Music« [1960 …” „… , David Porter und Gunther Schuller, Lincoln – London 1989, S. 50–52, sowie »The Piano Music of Schoenberg …”

Thomas Glaser »›Intellektuelles‹ Musizieren gegen ›spontanes‹, musikantisches. …« Arnold Schönbergs Phantasy for Violin with Piano Accompaniment op. 47 in den Einspielungen mit Rudolf Kolisch und Eduard Steuermann S. 300-340

„… Kolisch / Gunnar JohansenKolisch / Johansen 1966b1966 2003 08′11″ Music&Arts CD-1056 (CD)Arnold …” „… in Beethoven’s Music«, in: The Musical Quarterly 29 (1943), H. 2, S. 169–187 und 29 (1943), H. 3, S …” „… Phantasy for Violin with Piano Accompaniment op. 47 in den Einspielungen mit Rudolf Kolisch und Eduard …”

Karin Wagner »Gedanken über die Dauer des Exils«. Eduard Steuermann in den USA S. 67-88

„… die Vereinigten Staaten finden sich an der Library of Congress, Washington D. C., Music Division …” „… Research mit »modern works in proper relation to music of preceding epochs«20 kreiert wurden. Das Magazin …” „… prominent musici-ans«21 in Szene. 15 Zit. nach ebd.16 Vgl. dazu Monika Plessner, »Die deutsche ›University …”

Christian Utz Zur Plastizität verklanglichte Form. Tempo-, Klang- und Formgestaltung in Eduard Steuermanns Einspielungen von Arnold Schönbergs Sechs kleinen Klavierstücken op. 19 im Kontext der Interpretationsgesch... S. 341-413

„… ); Archi-phon WU-035 (CD 2004); TACET 186 (CD 2009)Schoenberg – Complete Piano Music; Studio-Aufnahme: Columbia …” „… Hommage à Steuermann. His Historic Recording of Schoenberg’s Piano Music / Works and Arrangements by …” „… , »Schoenberg Piano Music«, in: The Not Quite Innocent Bystander. Writings of Edward Steuermann, hrsg. von Clara …”

Zeittafel und chronologisches Werkverzeichnis S. 494-502

„… Research in New York.1941 Im Rahmen des Rockefeller Film Music Projects wirkt Steuermann an der Tonaufnahme …” „… an der Juilliard School of Music.1948 Erste Schallplattenaufnahme eines Teils von Schönbergs …” „… am Philadelphia Conservatory of Music an.501www.claudia-wild.de: Lauphold__Steuermann____[ebook-PDF …”

Jürg Stenzl Eduard Steuermanns Interpretation von Ludwig van Beethovens Veränderungen über einen Walzer von Anton Diabelli op. 120 S. 262-270

„… School of Music am 13. Mai 1963, »a program honoring Edward Steuermann« mit drei seiner Kompositionen und …” „… crescendi von piano zu forte, die so im Thema selbst vorhanden, aber von Beethoven einzig hier analog …” „… Wiederholungen piano und differen-ziert auf diese Weise diese zwei Takte gegenüber den beiden folgenden …”

Eike Feß Lebens- und Schaffensdokumente. Zur Edward Steuermann Collection am Arnold Schönberg Center, Wien S. 247-261

„… , »Introduction to the Three Pieces for Piano, July 27, 1949«, in: Schoenberg’s program notes and musical analyses …” „… new music 3 (1964), H. 1, S. 22–35, hier S. 28.17 Zu Steuermanns Analyse von Weberns Variationen op …” „… Stücks unter dem Dirigat von Rudolf Kolisch am 26. April 1940 in der Carnegie Chamber Music Hall, New …”

Matthias Schmidt »Alpenkräuter-Duft«. Zu Eduard Steuermann und Anton Webern S. 414-434

„… , »On Anton Webern and his Music«, in: The Not Quite Innocent Bystander. Writings of Edward Steuermann …” „… ., Music Division, Edward and Clara Steuermann Collection, 1922–1981, Bleistift.421www.claudia-wild.de …” „… his Music« (Anm. 20), S. 55.42 Brief an Felix Prohaska von 1962, zit. nach ebd., S. 54.43 Brief Eduard …”

Register S. 523-540

„… Mary University of London 341 – Queen’s Hall 44, 498 – Royal Academy of Music 112 – Royal Festival Hall …” „… : Lauphold__Steuermann____[ebook-PDF]/06.04.2022/Seite 532Register – Carnegie Chamber Music Hall 227, 254 – Carnegie Hall 76n, 215, 500 …” „… – City College of New York 348n – Greenwich School 111n – Juilliard School of Music 10, 13 f., 48 f., 109 …”

Martin Zenck »… das ›Wirre‹ ist ja nicht ungewollt …«. Zum zweiten Streichquartett Diary (1960/61) in der Uraufführung mit dem Juilliard String Quartet 1963 in New York S. 463-489

„… »Quartett (1960–61)/Edward Steuermann«, auf dem Juilliard School of Music-Notenpapier. (LoC Steuermann …” „… Juilliard School of Music am 13. Mai 1963 ein Konzert mit seinen Werken: die Improvisation and Allegro for …” „… Violin and Piano, dann die Three Songs for Alto to Poems by Bertolt Brecht und die Urauf-führung des …”

Lars E. Laubhold »… Musiker und gleichzeitig ›Klawiervirtuose‹ zu sein. …« Eduard Steuermann – ein Porträt S. 17-66

„… 30 Jahre später als Arrangeur und ›Piano-Pounder‹ im Hinblick auf Uraufführung und Veröffentlichung …” „… Gielen unter dem Titel »Solving the Puzle: Notes on the Interpretation of Schoenberg’s Six Little Piano …” „… myself that people who really want to hear music will turn to me after they have heard all the dazzling …”

Reinhard Kapp Noch einmal: Espressivo, insbesondere »Wiener Espressivo« S. 166-192

„… entsprechenden Stellen: »cantando espressivo, l’accom-pagnamento piano«.In der deutschen und italienischen Oper …” „… Stichwort »Expression« auf mit einer eher merkwürdi-gen ersten Bestimmung:»– music was from the very …” „… . jeder gute) »Musickus« müsse »nothwendig sich selbst in alle Affeckten setzen können«; er könne »nicht …”

doi.org/10.5771/9783967075731

Martina Papiro - Stimme – Instrument – Vokalität

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Martina Papiro (ed.)

Stimme – Instrument – Vokalität

2021

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Jeanne Roudet, Edoardo Torbianelli The Aesthetics of Singing in Romantic Piano Playing S. 185-224

„… contemporary novels, thus placing the “Hugos and Dumas of piano music”23 opposite Chopin’s and Dussek’s …” „… soul and the sublime effects of music.44 The methods of piano playing show a similar interest in …” „… have already noticed that piano music can be played with all the variety of nuance which the voice and …”

Abstracts und Kurzbiographien S. 261-277

„… web of literary and music-theoretical works, and by linking it with practical music-making, Banchieri …” „… gentlemen virtuosi of the Roman curia with writing on music-as-heard by Frescobaldi, and dwells on select …” „… sie über die gehörte Musik (music-as-heard) Frescobaldis schrieben. Der Fokus auf ausgewählte …”

Franco Piperno Affetto S. 29-44

„… acknowledging music’s ability to represent emotions. Decades later Gioseffo Zarlino reiterates this concept …” „… : the music is able “all’espressione dell’affetto, dalla quale 7 Gioseffo Zarlino, Sopplimenti musicali …” „… resonance of the human soul which, like a string, is set in motion by an external vibration (the music’s …”

Claire Genewein Worte zur Musik S. 159-184

„… Musicians and Audiences, St. Albans: Corda Music 2005. 162 Claire Genewein bewusst eingesetzten Mittel von …” „… alles, was man machet, es sey vocal- oder Instrumental-Music wohl singen lasse.5 Mattheson versteht …” „… gleichermaßen an und fordert ganz im Sinne der Rhetorik: Weil nun die Instrumental-Music nichts anderes ist, als …”

Titelei/Inhaltsverzeichnis S. 1-6

„… Piano Playing. Strategies and Transfer Techniques 185 Freie Beiträge James Hankins: Vocal Music at …” „… biblioteca della musica, Signatur: B.83 Gestaltungskonzept: icona basel gmbH, Basel Cover: STROH Design …” „… . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Franco Piperno: Affetto. Concept and Term in Literary and Musical Criticism …”

Thomas Drescher Ideal und Wirklichkeit S. 11-18

„… Instituts. Vgl. Anne Smith, Ina Lohr (1903–1983). Transcending the Boundaries of Early Music, Basel …” „… aneinander gehänget, und nur durch das forte und piano von einander in etwas unterschieden werden.10 Der …” „… Darstellung («forte und piano»). Das Werkzeug um all dies auszudrücken, ist der Bogen. In einer Epoche, in der …”

doi.org/10.24894/978-3-7965-4392-0

Klaus-Peter Aringer, Peter Revers, Thomas Wozonig - "Seine ganze Musikdeutung geht ja vom Klang aus"

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Klaus-Peter Aringer (ed.), Peter Revers (ed.), Thomas Wozonig (ed.)

"Seine ganze Musikdeutung geht ja vom Klang aus"

Series: Studien und Materialien zur Musikwissenschaft

Volume 114 2023

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Adriano Giardina Towards a New Performing Style. Karajan Conducting Mozart’s Piano Concertos in the Early Fifties S. 57-70

„… 57Towards a New Performing StyleKarajan Conducting Mozart’s Piano Concertos in the Early Fifties1 …” „… have shown.5Leaving aside opera, Mozart’s music was never Karajan’s primary interest. He focused on …” „… , Herbert von Karajan: A Life in Music, London 1998; Peter Uehling, Karajan: Eine Biographie …”

Elaine Chew Quantifying Karajan. Timing, Dynamics and Harmonic Tension S. 25-42

„… musicology have taken a performative turn.2 Scores are incomplete and fail to specify all that music entails …” „… : Music’s Intellectual History, ed. by Zdravko Blažeković and Barbara Dobbs Mackenzie, New York 2009, pp …” „… Musical Performance, Iowa City 1937 (= Studies in the Psychology of Music 4).7 “Objective Analysis of …”

Werner Telesko, Stefan Schmidl Karajan’s Aesthetics. Studies on Imagery Representation in Commercial Music Practice S. 219-240

„… , which is articulated by musical means, represents another special case of the concert or music film: How …” „… 219Karajan’s Aesthetics – Studies on Imagery Representation in Commercial Music PracticeWerner …” „… Telesko, Stefan Schmidl* ‘Absolute Music in the Absolute Image’ – Methodical-theoretical …”

Autor*innen S. 297-305

„… is currently working on the perfor-mance of Mozart’s piano music during the first half of the …” „… Department of Music, Stanford University, where he has been teaching since 1982. His books include Musica …” „… Sestina, a vocal group specialized in Sixteenth Century music.Aringer - Karajan #3.indd 298 21.07.23 …”

Titelei/Inhaltsverzeichnis S. 1-6

„… Wolfgang Amadeus Mozarts 43Adriano GiardinaTowards a New Performing Style Karajan Conducting Mozart’s Piano …” „… Aesthetics Studies on Imagery Representation in Commercial Music Practice 219Lukas HebenstreitKarajans …” „… of Musical Interpretation 267„Analyse und Ästhetik musikalischer Interpretation“ Podiumsdiskussion …”

Peter Revers, Thomas Wozonig Einleitung S. 7-14

„… Neurophysiologe Hellmuth Petsche, die Tradition der regelmäßigen Symposien unter dem Generaltitel „Brain and Music …” „… Adriano Giardina („Towards a New Perfor-ming Style. Karajan Conducting Mozart’s Piano Concertos in the …” „… Telesko in ihrem Beitrag „Karajan’s Aesthetics. Studies on Imagery Representation in Commercial Music …”

Jürg Stenzl Herbert von Karajan und Arnold Schönbergs Variationen für Orchester op. 31 (1926 und 1928) S. 179-196

„… . „Karajan, Herbert von“, in: The New Grove Dictionary of Music and Musici-ans, Bd. 9, hg. von Stanley Sadie …” „… Rosbaud and the Music of Arnold Schoenberg“, in: Canadian University Music Review 21/2 (2001), S. 41–59 …” „… ingenious orchestral effect. What’s more, Karajan finds real feeling in this music, a quality that is …”

„Analyse und Ästhetik musikalischer Interpretation“. Podiumsdiskussion S. 273-290

„… , ist die, die sich „music cognition research“ oder „cognitiv musicology“ oder vielleicht „Systematische …” „… Frage „Gibt es Analyse nur als Analyse von ‚performed music‘?“Gerhard Widmer: Noch einmal zu dem, was …” „… performed music“, auf diese Fragen will ich mich gar nicht einlassen.Reinhard Kapp: Ich habe Sie angeschaut …”

Bernadeta Czapraga Herbert von Karajans Orchesterklang in den großen Violinkonzerten Wolfgang Amadeus Mozarts S. 43-56

„… Geigenprofessor an der Royal Academy of Music. Parikian leitete mehrere Orchester, u. a. das Liverpool …” „… Wiener Symphoniker beginnen, kritisiert er mit einem adäquaten Bild: „Nein, das Forte-Piano [Takt 2] ist …”

doi.org/10.5771/9783487423746

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