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Martina Papiro - Stimme – Instrument – Vokalität

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Martina Papiro (Hrsg.)

Stimme – Instrument – Vokalität

2021

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Rebecca Cypess Voices, Instruments, and the Technology of Nature S. 93-122

„… Voices, Instruments, and the Technology of Nature Adriano Banchieri at the Accademia Filomusi …” „… Rebecca Cypess The Renaissance model of instrumental music was rooted in its relationship with the human …” „… century, see, for example, Anthony Rooley, “Ficino, and the Supremacy of Poetry Over Music”, in: Le …”

Abstracts und Kurzbiographien S. 261-277

„… , Instruments, and the Technology of Nature: Adriano Banchieri at the Accademia dei Filomusi On the 14th of …” „… , and Il virtuoso ritrovo academico, which contains the music that was interspersed throughout. This …” „… web of literary and music-theoretical works, and by linking it with practical music-making, Banchieri …”

Sergio Durante Singing Voice and Instrumental Sound between Fact and Ideology S. 19-28

„… any factual significance within a specialized discourse on music? We might agree that in the Western …” „… idea of art music, a generic concept of the “human voice” has been related with a multiple class of …” „… music literature. To what extent these texts are representative of a common frame of mind is an open …”

Titelei/Inhaltsverzeichnis S. 1-6

„… : Voices, Instruments, and the Technology of Nature. Adriano Banchieri at the Accademia Filomusi …” „… Piano Playing. Strategies and Transfer Techniques 185 Freie Beiträge James Hankins: Vocal Music at …”

doi.org/10.24894/978-3-7965-4392-0

Sandra Schmitz - The Struggle in Online Copyright Enforcement

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Sandra Schmitz

The Struggle in Online Copyright Enforcement

Reihe: Luxemburger Juristische Studien - Luxembourg Legal Studies

Band 8 2015

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A. The Status Quo – or How Did We Get to Where We AreToday? S. 49-115

„… decade of the 21st century, peer-to-peer technology was extremely popular for exchanging music files and …” „… , peer-to-peer technology changed this by turning users into distributors.With Napster, users could share music …” „… technology are put forward as justifications for new legislation in this field of law. A Short History of …”

List of References S. 747-789

„… ) Lloyd, Ian J., Information Technology Law (6th ed. 2011) Löwenheim, Ulrich (ed.), Handbuch des …” „… (3rd ed. 2012) Murray, Andrew, Information Technology Law, The law and society (2nd ed. 2013) Nowak …” „… , Uta/Charlesworth, Andrew, Information Technology Law (4th ed. 2012) Schaar, Peter, Datenschutz im Internet (2002 …”

General Conclusions S. 719-747

„… by a result-oriented approach that too often expresses a lack of understanding of technology …” „… , innovators of technology were considered ideal targets that also fulfil the above criteria. For this very …” „… the mere provision of technology. The example addressed in the first Chapter in this context is …”

Introduction S. 21-49

„… Copyright and Technology Clash 27 whether they download a music track from the online music store iTunes or …” „… actors being involved in the creation and exploitation of works in music and audio-visual media, these …” „… Technology Clash Before copyright existed, authors generally requested a one-off payment from the printer of …”

A. The Peer-to-Peer File-Sharer as the Addressee of Enforcement Measures S. 195-243

„… those operating BitTorrent technology, the IP address of sharers is visible. However this is not the …” „… File-Sharing Networks in General Before the advent of peer-to-peer technology, different computers on one …” „… technology which does not require a “major” server has been developed. Unlike a traditional content delivery …”

A. Online Intermediaries as the Addressees of Enforcement Measures S. 517-565

„… Chapter. The (Il)Legality of Unauthorised Streaming While peer-to-peer technology is challenging the music …” „… store to purchase music CDs or video tapes, they now either buy such content online, or consume it …” „… online music database – albeit the fact that it infringed copyright. So from the start, lawful services …”

B. National Enforcement Measures Against Users S. 243-517

„… ICT technology, that lead to (2) the establishment of a global knowledge and information based economy …” „… & Technology 2012, Vol. 26 Nos. 2–3 , 185–210. Second Chapter: User-Targeted Responses 266 access providers are …” „… preliminary ruling under Article 267 TFEU were as follows: Promusicae, a Spanish non-profit-making music …”

B. Enforcement Measures Directed at Intermediaries S. 565-719

B. The Technological and Legal Challenges of Online Copyright Enforcement S. 115-195

„… technology as such. B. 367 European Commission, Synthesis of Comments on the Commission Report on the …” „… Legal Challenges of Online Copyright Enforcement 115 The Technological Challenges In how far technology …” „… impossible to discuss the law without referring to the functioning of the technology behind the Internet, a …”

doi.org/10.5771/9783845265872

Franz-Josef Deiters, Alex Fliethmann, Birgit Lang, Alison Lewis, Christiane Weller - Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft

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Franz-Josef Deiters (Hrsg.), Alex Fliethmann (Hrsg.), Birgit Lang (Hrsg.), Alison Lewis (Hrsg.), Christiane Weller (Hrsg.)

Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft

Reihe: Limbus. Australisches Jahrbuch für germanistische Literatur und Kulturwissenschaft | Limbus. Australian Yearbook of German Literary and Cultural Studies

Band 9 2016

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Ben Gook Berlin and Detroit: An Alien Techno Alliance. Cultural Politics and Social Transformation after the Fall of the Wall S. 171-202

„… ) points out, this is techno music not technology music, tekhne without logos. The synthe-sised productions …” „… . Dax/Defcon)The Cold War’s end infused electronic music from Detroit and Berlin in the early-to-mid-1990s with an …” „… Dream. The music brought together enthused communities to live out energetic experiments in conditions …”

doi.org/10.5771/9783968219592

Johannes Ripken - Organisches Artist Development

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Johannes Ripken

Organisches Artist Development

Reihe: Musik und Wirtschaft - Schriftenreihe der Popakademie Baden-Württemberg

Band 2 2015

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Literaturverzeichnis S. 306-323

„… Alexander, P. (1994). New Technology and Market Structure: Evidence from the Music Recording Industry …” „… . (2003). Pop Music – Technology and Creativity – Trevor Horn and the Digital Revolution. Hants: Ashgate …” „… ). Programming philosophies and the rationalization of music radio. Media Culture Society [Online]. Vol. 23, S …”

doi.org/10.5771/9783845252889

Julia Fitzner - Von Digital-Rights-Management zu Content Identification

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Julia Fitzner

Von Digital-Rights-Management zu Content Identification

Reihe: Abhandlungen zum Urheber- und Kommunikationsrecht

Band 55 2011

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Literaturverzeichnis S. 339-357

„… http://www.businessweek.com/technology/content/jan2008/tc2008013_ 398775.htm Jobs, Steve Thoughts on Music, 06.02.2007, abrufbar unter …” „… :// www.spiegel.de/spiegel/print/d-39257707.html Shinal, John Warner Music's Bronfman on DRM-free tunes. The technology never did …” „… The Global Music Industry – Three Perspectives, New York/London 2007 (zitiert als …”

Neue Geschäftsmodelle der Musikindustrie nach dem Scheitern des DRM-gestützten Download-Vertriebs S. 107-118

„… des DRM-gestützten Download-Vertriebs „Music and technology share a long, intimate history. Technology …” „… Einkommensquellen zu erschließen. Dabei II. 450 Shinal, Warner Music's Bronfman on DRM-free tunes. The technology …” „… is the magic that allows us to capture the ephemeral and elusive experience of music in a form that …”

Fakten S. 79-83

„… , Times Online, 19.06.2009, http:// technology.timesonline.co.uk/tol/news/tech_and_web/article6534542.ece …” „… DRM-free music encoded in open licensable formats. In such a world, any player can play music purchased …” „… from any store, and any store can sell music which is playable on all players.“281 „Kopierschutz ist …”

Hintergründe S. 83-107

„… des DRM-gestützten Download-Vertriebs „Music and technology share a long, intimate history. Technology …” „… , Times Online, 19.06.2009, http:// technology.timesonline.co.uk/tol/news/tech_and_web/article6534542.ece …” „… consumed“, zitiert bei Bangeman, DRM (on music) is dead. Long live DRM (on video)!, Ars Technica …”

Fortentwicklung des Internets zum sogenannten Web 2.0 S. 126-145

„… several years, we have seen a barrage of headlines predicting the fall of the music industry due to …” „… to guard against potential piracy.“516 7. Kapitel: 515 So Scott Teissler, Chief Technology Officer …” „… Tonträgerunternehmen zudem den Musikdienst „MySpace Music“, der es seinen Nutzern ermöglicht, Tonaufnahmen als Streams …”

Einsatzmöglichkeiten für Content-Identification-Technologien im Web 2.0 S. 154-158

„… challenge for creative industries, in: IFPI, Digital Music Report 2009, S. 4. 650 Rick Cotton, zitiert bei …” „… Music Report 2009, S. 4: „This was the most viewed TV production in American history, and the …” „… pirated olympic content from video sharing sites was content recognition technology and filtering“; vgl …”

Das Problem der Internetpiraterie S. 38-50

„… ernsthafte Bedrohung für die Existenzgrund- B. I. 50 Vgl. IFPI, IFPI Digital Music Report 2010. 51 Allerdings …” „… dieser sogenannten „dissemination technology cases“60 gegen Napster, Aimster sowie die Softwareanbieter …” „… , http://technology.timesonline.co.uk/tol/news/tech_and_web/article6534542.ece (zuletzt abgerufen am 30.04.2009). 45 Ende 2008 verkündete die RIAA jedoch, ihre …”

Forderung der Rechtsinhaber nach einer stärkeren Beteiligung der Betreiber von Web 2.0-Diensten an der Durchsetzung von Urheberrechten S. 158-166

„… rights of a copyright owner and the importance of allowing technology to expand without a constant fear …” „… Services should use effective content identification technology (“Identification Technology”) with the goal …” „… International Inc., Comedy Partners, Country Music Television, Inc., Paramount Pictures Corporation, and Black …”

Die Haftung von Web 2.0-Diensten für Urheberrechtsverletzungen der Nutzer ihrer Internetdienste nach US-amerikanischem Urheberrecht S. 166-259

„… . Peak Computer Inc., 991 F.2 d 511 (9th Circuit 1993); Religious Technology Ctr. v. Netcom On-Line Comm …” „… Voraussetzungen in Frage.730 Religious Technology Center v. Netcom On-Line Communication Services, Inc. Zu einem …” „… Religious Technology Center v. Netcom b. 726 839 F. Supp. 1552, 1556: „There is no dispute that Defendant …”

Technische Grundlagen und Anbieter von Content-Identification-Technologien S. 145-154

„… , woraufhin das USamerikanische National Institute of Science and Technology im Jahr 2007 das „cryptographic …” „… Content-Identification-Technologien umstritten. Nach der Information Technology & Innovation Foundation sind Content …” „… . vorhergehendes Kapitel. 152 begonnen, darunter Warner Music, Sony und Universal.640 Die Technologie überprüft …”

doi.org/10.5771/9783845233727

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