Filter results

Results (86)

Sort by:

Select all Select all

Page 1

Christian Wessely, Theresia Heimerl - Weltentwürfe im Comic/film

No access

Select

Christian Wessely (ed.), Theresia Heimerl (ed.)

Weltentwürfe im Comic/film

2018

Results in this title

Theresia Heimerl Heldinnen. Affirmation, Verweigerung oder Transgression von konventionellen Geschlechterrollenbildern in ausgewählten Comicverfilmungen S. 251-270

„… weibliche Superheldinnen in Verfilmungen von Marvel- und DC-Comics wesentlich durch ihre extrem …” „… stellt einleitend in ihrem Beitrag zu Heldinnenfiguren in (westlichen) Comics und Comicverfilmungen fest …” „… : «Allgemein betrachtet, können Superhelden-Comics als eine vornehmlich männliche Domäne konstatiert werden …”

doi.org/10.5771/9783741001260

Martin Lindner, Nils Steffensen - Classical Heroes in the 21st Century

Access

Select

Martin Lindner (ed.), Nils Steffensen (ed.)

Classical Heroes in the 21st Century

Series: Helden - Heroisierungen - Heroismen

Volume 20 2023

Results in this title

Luis Unceta Gómez From Antiquity to the Present and Back. Reciprocal Influences between Heroes and Superheroes S. 51-64

„… has spread from comics to movies, through the filmic adaptations of superhero comics, and has shaped …” „… studies have looked into this connection,2 and some creators, aware of this lineage, have even actively …” „… characters from classical mythology.4 Captain Marvel (1939) receives his powers from the invocation “Shazam …”

Torsten Caeners Patchworking the Man of Steel. Myth, Classical Heroes, Circus Strongman and the Creation of Superman S. 29-50

„… Comics, 2007) and in the limited series Hercules (Marvel Comics, 1982, 1984) which chronicles his …” „… plethora of texts flooding the media channels. The tentpole films of the Marvel Cinematic Universe (MCU …” „… super-hero comics or even the superhero films produced before the millennium. In this regard, these films …”

doi.org/10.5771/9783987400759

No access

Select

Peter Seyferth (ed.)

Dystopie und Staat

Series: Staatsverständnisse

Volume 168 2023

Results in this title

Stefan Brocza, Andreas Brocza Wenn der Staat abgedankt hat. Neofeudale Herrschaftssysteme transnationaler Familienkonzerne im Comic Lazarus S. 171-194

„… lassen, was zum raschen Ende der Serie führen würde. Gerade in der Welt der creator owned-Comics sind …” „… beschreiben.Ganz formal betrachtet ist Lazarus eine laufende creator owned-US-Comicserie, die im Image Verlag …” „… Comicbereich. Autor Greg Rucka hat eigene Kreationen und sowohl bei DC als auch Marvel große arrivierte Serien …”

doi.org/10.5771/9783748921721

Partial access

Select

Jörn Ahrens

Überzeichnete Spektakel

2018

Results in this title

3. Arretierung: Frank Miller, Sin City S. 58-83

„… Comiczeichner der 1980er und 1990er Jahre und war maßgeblich daran beteiligt, das Genre der Superhelden-Comics …” „… zugeschnittene Noir Ästhetik zur Perfektion bringe (ebd.: 124). Im Gegensatz zu seinen Superhelden-Comics ist …” „… Superhelden Comics nehmen. In einem Ende der 1980er Jahre geführten Interview äußert er sich, wenngleich noch …”

doi.org/10.5771/9783845262468

No access

Select

Tim Hanley

Not All Supermen

2022

Results in this title

10: Breakdown S. 101-110

„… comics like Sandman, Fables, and Alias served as gateways to DC and Marvel, where new readers became …” „… tabulations. Male (top) and female (bottom) writers at Marvel Comics, 1960–2020.Male (top) and female (bottom …” „… ) artists at Marvel Comics, 1960–2020.106 CHAPTER 10They begin before Marvel even published their first …”

Notes S. 191-226

„… recent story lines. The bulk of DC’s and Marvel’s comics from the past eight decades are also available …” „… Comics #4 (August 1940).8 Mary Marvel . . . Captain Marvel Adventures #18 (December 1942).8 Phantom Lady …” „… 1960).23 chased trends . . . Sean Howe, Marvel Comics: The Untold Story (New York: Harper, 2012), 28.23 He …”

14: Supremacy S. 143-152

„… renaissance and Marvel’s reentry into superhero comics were startling white, but by the early 1970s both …” „… DC Comics founded by Black creators Denys Cowan, Michael Davis, Derek T. Dingle, and Dwayne McDuffie …” „… significant. The comics showed that Black heroes and creators belonged in the superhero genre, Static lived on …”

17: Instigate S. 175-184

„… Marvel Comics is dying . . . and that’s OK,” “Captain Marvel is everything wrong with SJW Marvel,” and …” „… targets was Magdalene Visaggio, an indie com-ics writer who was starting to get work at DC and Marvel in …” „… while simultaneously imploring their creators to write comics that would “appeal more to Trump vot-ers …”

12: Barriers S. 123-132

„… audi-ence. In 2012, the new Marvel NOW! series failed to match the New 52’s paltry sole female creator with …” „… at Marvel and DC. Comic book conventions began to host panels to spotlight female creators and …” „… Marvel #1, art by Ed McGuinness, Dexter Vines, and Javier Rodri-guez, Marvel Comics, 2012. Captain Marvel …”

Index S. 229-238

„… , 141, 150, 155–59Marvel Comics: 1960s, 23–34; bankruptcy, 107; creators by gender, 105–8; Golden Age …” „… superheroes, 145–47Asselin, Janelle, 169, 176Atlas Comics. See Marvel Comicsthe Atom, 21, 23, 117–18the …” „… , 58–63, 112Danvers, Carol. See Captain Marvel; Ms. MarvelDaredevil: in comics, 67–69, 77–78, 107, 112 …”

5: Divergence S. 45-56

„… range. Marvel’s superhero line was never meant for girls.Letters written by male fans in Marvel Comics …” „… nation and led to groundbreaking social change, Lee and other Marvel creators actively worked to …” „… purposes of petty revenge was hardly a promising start.But Stan Lee, now publisher of Marvel Comics, wasn’t …”

9: Exaggeration S. 89-100

„… 89CHAPTER 9ExaggerationThe art style of the Image founders spread across DC Comics and Marvel …” „… means.Sensational She- Hulk #34, art by John Byrne, Marvel Comics, 1991. The green giantess re- created Demi Moore’s …” „… Quitely, Tim Townsend, and Hi- Fi, Marvel Comics, 2001. Emma Frost with a negative space “X …”

13: Pride S. 133-142

„… lesbian characters appearing in Marvel comics than ever before,” but Freedom Ring was killed off the …” „… super-hero genre had negative ramifications for female fans, creators, and characters, and the same was true …” „… specter of Dr. Fredric Wertham, whose anti- homosexuality views were baked into the fabric of the Comics …”

11: Frozen S. 111-122

„… manner.Before becoming one of the best- known writers of superhero comics in the 2000s, Gail Simone was a …” „… , Simone noticed some star-tling trends and sent a letter to various comics professionals that pointed out …” „… , “It occurred to me that it’s not that healthy to be a female character in comics.” Included with the …”

16: Power S. 165-174

„… superhero morality at both DC Comics and Marvel for decades. It’s most com-monly associated with Spider- Man …” „… group of creators put together the #ComicsPledge and shared it across social media, promising to “never …” „… responsibility to treat others well, yet many creators have abused this power.In recent years, several high …”

1: Origins S. 1-12

„… at Timely Comics. There were female heroes too, like Black Widow, Mary Marvel, and Phantom Lady …” „… a man. Her creator, William Moulton Marston, was a psychologist who saw comics as an avenue for …” „… across all of these superhero comics was the elevation of male fantasy. With predominantly male creators …”

7: Despair S. 67-76

„… grow and create communities for dedicated readers, and DC Comics and Marvel catered further to this …” „… in comparison. Comics had to go bigger and bolder, and creators proceeded to do so with grim …” „… - changing adventures, like Marvel’s Secret Wars and DC’s Crisis on Infinite Earths. Both publishers released …”

8: Caliber S. 77-88

„… Arnold The Punisher #2, art by Klaus Janson, Marvel Comics, 1987. The antihero gleefully gunned down his …” „… superhero comics. No one else headlined as many books, and his prominence led Marvel to explore the brutal …” „… Motormouth & Killpower.Wolverine #1, art by John Buscema and Al Williamson, Marvel Comics, 1988. Wolverine …”

3: Marvelous S. 23-34

„… and gave Lee the task of bringing the genre to Marvel Comics. By this point, Lee was burnt out and …” „… that love triangle went by the wayside when Namor the Sub- Mariner returned to Marvel Comics. Now a …” „… Jack Kirby and Sol Brodsky, Marvel Comics, 1962. Mister Fantastic, the Human Torch, and the Thing …”

4: Mania S. 35-44

„… 35CHAPTER 4ManiaMarvel’s superheroes took off quickly in the 1960s with an ever- growing slate of …” „… genre on a lark. However, while Marvel’s impact on pop culture was significant, the most influential …” „… superhero of the 1960s came from DC Comics. Somehow, inexplicably, Batman suddenly became one of the most …”

Bibliography S. 227-228

„… Comic Book Industry and Winning.” Vox, October 13, 2014. https://www .vox .com/2014/10/13/6961965/marvel …” „… Assault in the Comics Industry.” The Mary Sue, November 29, 2017. https://www .themarysue .com/comics …” „… Press of Mississippi, 2005.Dean, Michael. “Two Sides of Julie the Ladies’ Man.” Comics Journal 259 …”

6: Overpowered S. 57-66

„… 57CHAPTER 6OverpoweredWith both DC Comics and Marvel largely ignoring women’s lib and female …” „… , Marvel Comics, 1980. The Dark Phoenix, mad with power, shortly before her death.62 CHAPTER 6was …” „… . Long narratives were the norm at Marvel as well. Some focused on spectacle, like the Avengers’ yearlong …”

Preface

„… feel strong. A Green Lantern logo reminds us that we can over-come fear. Captain Marvel’s Hala star …” „… , legions of characters have provided a heroic example to generations of fans, young and old, across comics …” „… were men, though, as were the bulk of the heroes who starred in these comics. Over time, the readership …”

doi.org/10.5771/9781538152744

1

2 3 ... 18