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Trineice Robinson-Martin - So You Want to Sing Gospel

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Trineice Robinson-Martin

So You Want to Sing Gospel

2016

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Ch05. GOSPEL STYLES, PERFORMANCE PRACTICES, AND IMPROVISATIONAL TOOLS S. 123-158

„… 1 2 3GOSPEL STYLES, PERFORMANCE PRACTICES, AND IMPROVISATIONAL TOOLSIn chapter 4, the four …” „… , and then reinterpret the improvisational tools used to musically articulate and spread the Gospel …” „… generic “go to” improvisational tool for most singers who are innately musical, as it can be easier to …”

Preface

„… Voice Pedagogy 775 Gospel Styles, Performance Practices, and Improvisational Tools 1236 Gospel in …” „… singing and performance practices that generations of gospel singers, choir directors, and voice teachers …”

Ch01. WHAT IS GOSPEL MUSIC? S. 1-36

„… experience. Its musical style and performance practice evolves with culture yet maintains its roots in work …” „… the gospel sound and gospel music performance practices. These characteristics are heavily woven …” „… on Saturday and then played in the church service on Sunday morning.10 This practice of crossing the …”

doi.org/10.5771/9781442239210

Keren Dali, Kim M. Thompson - Inglorious Pedagogy

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Keren Dali (ed.), Kim M. Thompson (ed.)

Inglorious Pedagogy

2023

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1, Performing Librarianship PRACTICING THE REFERENCE INTERVIEW AND BUILDING COMMUNITY THROUGH IMPROVISATION S. 9-22

„… practice.SETTING THE STAGE“Stick with me,” Dr. Vardell says as she begins a class session students expect to be …” „… (personal and professional). Now especially, stu-dents need this practice and support from one another as …” „… before” (p. 184). Performance can be practice for real life.We may think of “performance” as something …”

doi.org/10.5771/9781538167786

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Tish Oney

Jazz Singing

2022

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Ch13. MINDFUL SINGING AND MENTAL TOUGHNESS S. 221-238

„… healthy while steadily growing throughout their careers.Creative practiceSingers may create different ways …” „… they give their full attention to singing during every rehearsal, practice session, and per-formance …” „… refraining from engaging in distract-ing activities during singing practice certainly when performing in …”

Ch12. JAZZ THEORY AND INSTRUMENTAL APPROACHES S. 201-220

„… understanding and practice of a variety of scales and modes within a jazz voice lesson is akin to the importance …” „… outcomes of such study.SCALES AND MODESJazz voice students benefit from regular practice and testing of …” „… improvi-sational ability. The basic twelve-bar blues possesses only three types of chords, which makes for an …”

Ch15. ARTISTRY AND PEDAGOGY—PUTTING IT ALL TOGETHER S. 253-270

„… experience on the stage, in the practice room, and in the teaching studio. All of these sources form a …” „… practice. An art-ist makes sacrifices to place art and self-care on higher priority levels than most other …” „… times, developing multiple skills and multiplying streams of income are essential practices for a …”

Ch07. VOCAL IMPROVISATION S. 119-134

„… improvisational tools. The jazz voice pedagogue in particular is encouraged to build skills in demonstrating and …” „… , singers have worked on their own scat abilities to offer their improvisational ideas to a song’s solo …” „… well-known jazz artists remains a vi-tal tool for developing improvisational ideas. Singers can learn about …”

Ch11. DALCROZE EURHYTHMICS AND VOICE PEDAGOGY S. 185-200

„… yoga can improve a practitio-ner’s health and wellness, the practice of Dalcroze exercises can greatly …” „… improvisational skills. Dalcroze exercises, often presented as games, combine kinesthetic, aural, and mental …” „… technology. The more singers practice this skill, the less self-conscious and fearful they become about …”

Ch14. ARRANGING AND BANDLEADING S. 239-252

„… professional, world-class jazz concerts. A well-crafted arrangement leaves some room for improvisational solos …” „… development of a student musician’s ears, repertoire, improvisational abilities, and stage presence, should …” „… . leads to a song ending midway through a chart. The standard practice of creating clear form delineations …”

Ch08. PHRASING AND EXPRESSION S. 135-148

„… as a monologue and practic-ing it through spoken delivery first, as an actor would intone it without …” „… of preparation and practice.1 4 0 C h A p T E R 8BACK-phRASiNGThe art of back-phrasing in jazz …” „… inventive approach. The text-based improvisational technique known as back-phrasing changes the way a …”

Ch10. VOCAL JAZZ ENSEMBLES S. 167-184

„… , it is important to remember to practice slowly if necessary, seeking precision. This means if a …” „… improvisational nature of jazz is better served when pieces are completely committed to memory. Each singer should …” „… ear training, improvisation work, style and ornamentation skill exercises, repertoire practice …”

Ch06. JAZZ STYLE AND ORNAMENTATION S. 99-118

„… American jazz in their own unique ways. Learning about the vast amounts of jazz and other improvisational …” „… assimilation of aspects of other art-ists’ performances. The practice of allowing the greatness of geniuses …” „… aspects of this improvisational music, there are no correct, universal answers to the ques-tion of style …”

APPENDIX: SAMPLE PRACTICE GUIDE S. 271-280

„… 2 7 1APPENDIX: SAMPLE PRACTICE GUIDEFor a few years I taught a professional crossover singer …” „… months of working with me, the lessons and practice guides I provided were enormously successful in …” „… represents a transcription of one of many practice guides I gave her in lieu of lessons. It may be a useful …”

Preface

„… stylization techniques and various improvisational approaches with classic voice pedagogy. Legendary jazz …” „… Transcribing the Coolness of Chet 123 Start with the Melody 124 Root Motion 124 Practice Patterns 125 …” „… One 226 Breath of Fire, Step Two 227 Hissing 227 Mindful Practice 228 Nonsinging Practice 229C O N …”

doi.org/10.5771/9781538128466

Helena Schuh - »Eigenthümlich« und »Wunderbar«

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Helena Schuh

»Eigenthümlich« und »Wunderbar«

Series: Studien und Materialien zur Musikwissenschaft

Volume 129 2023

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7 Musikalische Quellen und zitierte Literatur S. 377-388

„… , Improvisation: Its Nature and Practice in Music, New York 1993Banowetz, Joseph, Pedaltechnik für Pianisten: Ein …” „… (2004), S. 51–118Caplin, William E., »Fantastical forms: formal functionality in improvisational genres …” „… (= Cambridge studies in performance practice, Bd. 4),S. 23–48Cramer, Richard, »Cadenzas Contra Text: Mozart in …”

2 Grundlagen: Improvisation und Komposition S. 55-154

„… , Improvisation: Its Nature and Practice in Music, New York 1993, S. xi.240 Ferand, Die Improvisation, S. 6.241 …” „… , »Beethoven’s Op. 77 Fantasy: An ImprovisationalDocument?«, in: American Music Teacher 36/6 (1987), S. 25–28, S …” „… . 140: »This practice of improvised preluding is fundamental to any evaluationof the Tempest Sonata, for …”

1 Einleitung S. 11-54

„… Robin Stowell, Cambridge 1994 (= Cambridge studies in perfor‐mance practice, Bd. 4), S. 23–48; kritisch …” „… Vorstellung von Improvisationals völlig willkürlichem, aus dem Moment geborenen Gestaltungsakt in …”

doi.org/10.5771/9783487423913

André Sassenfeld - Relationale Psychotherapie

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André Sassenfeld

Relationale Psychotherapie

Series: Bibliothek der Psychoanalyse

Volume 2015

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Literatur S. 343-361

„… 343 Literatur Allen, J., Fonagy, P. & Bateman, A. (2008). Mentalizing in Clinical Practice …” „… , conceptualization, usefulness, and role in the therapeutic process. Journal of Psychotherapy in Independent Practice …” „… Practice (S. 27–51). New York: Routledge. Eagle, M. (2011). From Classical to Contemporary Psychoanalysis …”

doi.org/10.30820/9783837968989

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