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Inken Meents - Die Vorstellungskraft spazieren führen

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Inken Meents

Die Vorstellungskraft spazieren führen

Series: Studien und Materialien zur Musikwissenschaft

Volume 122 2023

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Literaturverzeichnis S. 491-518

„… Italian opera, Oxford u. a. 2015. Castonguay, Rémi: Meter Fluctuation in Jean-Baptiste Lully’s Recitative …” „… : Opera’s Orbit. Musical Drama and the Influence of Opera in Arcadian Rome, Cambridge 2011. Tcharos …” „… , Louis-Nicolas: La Muse de l’opéra ou les caractères lyriques, Paris (Foucault) 1716. Clérambault, Louis-Nicolas …”

Einleitung: Die (französische) Kantate um 1700 als (neuerfundene) europäisch-nationale Zwittergattung S. 13-78

„… of nostalgia, in: Opera’s Orbit. Musical Drama and the Influence of Opera in Arcadian Rome, Cambridge …” „… Einflüsse, die den dortigen Karneval betreffen. 76 In seiner Opéra-ballet Le Carnaval de Venise von 1699 …” „… Opéra-ballet Les Fêtes galantes. Hier findet also gewissermaßen umgekehrt eher der französische Stil Eingang in …”

Die Wege zur französischen Kantate: Opern, kleine Opern, italienische Kantaten und Instrumentalmusik sowie der ‚italienische‘ und ‚französische‘ Stil um 1700 S. 79-220

„… von Campras Opéra-ballet L’Europe galante mit einer beliebigen Kantate von Campra folgende Kriterien …” „… überhaupt der Franzosische, Italiänische und Deutsche Stylus in einen angenehmen und künstlichen Wechsel die …” „… . Don Fader: Philippe II d’Orléans’s „chanteurs italiens“, the Italian cantata, and the Goûts-réunis …”

Weibliche Impulse und neue ‚Erfindungen‘ für die französische Kantate zwischen 1707 und 1710 S. 385-484

„… Ray: Coquettes, Wives, and Widows. Gender Politics in French Baroque Opera and Theater, Rochester / NY …” „… : Itinéraires d’André Campra (1660–1744). D’Aix à Ver‐sailles, de l’Église à l’Opéra, hg. von Catherine Cessac …” „… antiken Quellen der jeweiligen Autorinnen und Autoren den „faux Goust d’Opera eigenständige Kunstformen in …”

Die ‚Erfindungen‘ der französischen Kantate um 1706 S. 221-384

„… italiens“, the Italian cantata, and the Goûts-réunis under Louis XIV, in: EM 35 (2007), Nr. 2, S. 237–249 …” „… des François, en ce qui regarde la Musique et les Opéra (Pa‐ris 1702), in: La Première Querelle de la …” „… occasio‐nal – but whatever the subject, the French cantata livret diverged sharply from its Italian …”

doi.org/10.5771/9783487424224

UFITA Archiv für Medienrecht und Medienwissenschaft

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UFITA Archiv für Medienrecht und Medienwissenschaft

Browse Volumes: UFITA Archiv für Medienrecht und Medienwissenschaft

UFITA Volume 80 (2016) Issue 1 ISSN Online: 2942-3511

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A. S. Turberville English Man and Manners in the Eighteenth Century: Drama, Stage, and Music (1926) S. 189-226

„… the second type of eighteenth-century opera – the Italian, which Dr. Johnson defined as ‘an exotic and …” „… of Hogarth’, I799 While Italian opera was popular in a certain set in the first decade of the …” „… composer of Italian opera, who also settled down in England and gained an important following – Giovanni …”

doi.org/10.5771/2568-9185-2016-1

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Martin Kirnbauer (ed.), Christelle Cazaux

Tanz und Musik

Series: Basler Beiträge zur Historischen Musikpraxis

Volume 42 2024

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Mojca Gal The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave S. 281-298

„… Paris Opéra’s remounting of the work in 1710. The music corresponds to the Entrée des divinités …” „… theatrical music (ballet and opera) do not agree with the modern performance practice in its striving for …” „… men, danced by Messieurs Marcel and Gaudrau in the opera of Persée” by Lully, specifically in the …”

Tim Carter Darf man das? Listening to Music This Way and That S. 327-340

„… to Music This Way and ThatTim CarterClaudio Monteverdi’s second opera, Arianna (1608), tells the …” „… .1 Her famous lament is the only part of Monteverdi’s opera that survives, and it is widely regarded …” „… original audience were moved to tears.2 In fact, Arianna exaggerates her situation: even in the opera …”

Cristina Cassia From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy S. 83-104

„… Intabolatura nova) and for ensemble (Francesco Bendusi’s Opera nova de balli) were also published around the …” „… Concerning improvisation in dances for ensemble, see William F. Prizer, “North Italian Courts, 1460–1540”, in …” „… included in Italian manuscripts and prints through out the whole sixteenth century, there are very few …”

Abstracts und Kurzbiographien S. 417-440

„… Quinault created French opera in 1672, they ensured that dance participated fully in the opera’s cultural …” „… Airs verschiedener Opéras-comiques zu einem Pasticcio-Ballett zusammenfügte. Ausgehend von den …” „… Gluck combined popular airs from various opéras-comiques into a pastiche ballet. Starting with the …”

Hanna Walsdorf Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung S. 133-158

„… in Band 3 seines Syntagma Musicum mit den «Italianischen, Frantzösischen, Englischen, unnd jetzo in …” „… Italiäner nennens [die Gaillarden] in gemein Saltarelli, do bißweilen amorosische Texte darunter gesetzt …” „… . und 18. Jahrhunderts: Ballet de Cour, Comédie ballet, Tragédie lyrique und Opéra Ballet», in: Isolde …”

Katarina Livljanić Medieval Stories and Rituals on Today’s Stage. Between Art, Scholarship, Obedience, Fashion and Horror Vacui S. 341-354

„… , Old French, Old Occitan and Italian), and selected excerpts from each one in order to create a …” „… Galderisi (University of Poitiers) for the Latin and Italian; Richard Traxler (University of Zurich) for …” „… for the very simple reason that we are not that model. In the case of a Baroque opera staging or a …”

Björn Schmelzer The Monstrosity of Early Music. Revivalism and the Excess of Musical Survivals S. 367-404

„… . Instead, young village girls were singing Laura Pausini-style Italian schlagers, transformed into …” „… Italian singers, writing: “it may have been so in the churches of France, where the execution of …” „… entanglement with the Other’s unknown monstrosity. For Hugo, Gothic buildings are by definition “opera …”

Jennifer Nevile Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice S. 61-82

„… early sixteenth-century Italian dance sources, see David Wilson, 101 Italian Dances (c. 1450–c. 1510 …” „… marked contrast to the fifteenth-century Italian dance masters’ identification of music as fundamental to …” „… examination of the relationship between dance and music as outlined in the quattrocento Italian dance …”

Anne Daye Measure: Moving In and Out of Time S. 105-132

„… _ 978-3-7965-4972-4_Cazaux_Christelle_Tanz_Druck | Seite 109 | 25.09.2023Measure in Italian Dance PracticeThe same …” „… middle of the sixteenth century the Italian vocabulary of dance had altered so that the term sempio for a …” „… single step had disappeared, and the term doppio had an altered function. Italian sources give a fuller …”

Gabriele Miracle Percussion in Early Dance. Looking for a ‘Historical’ Groove S. 259-266

„… , for it is held that the Italian, French, and Spanish musical traditions are devoid of the concept of …” „… from: Fifteenth-Century Dance and Music. Twelve Transcribed Italian Treatises and Collections in the …” „… francese, alla spagnola the Italian dancer Gloria Giordano, who specialises in the Renaissance and Baroque …”

Baptiste Romain Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory S. 267-280

„… . 1). Probably of Italian origin, this dance is transmitted in three voices in the Augsburger …” „… set of Italian partbooks10 dating from the mid-16th century.The version transmitted in the Augsburger …” „… , musicians specialising in instrumental performance often operated on the fringes of literate musical …”

doi.org/10.24894/978-3-7965-4973-1

Florian Mehltretter - Orpheus und Medusa

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Florian Mehltretter

Orpheus und Medusa

Series: Litterae

Volume 247 2020

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Literaturverzeichnis S. 423-438

„… ): Opere italiane, Neapel. Gronda, Giovanna/Fabbri, Paolo (Hg.) (1997): Libretti d’opera italiani dal …” „… , Thomas (1984): »Production, consumption and political function of seventeenth-century Italian opera«, in …” „… Italian Opera. Essays in Honor of Donald J. Grout, hg. v. William W. Austin, Ithaca/New York, 39–107 …”

6. Medusa, 1900 S. 379-422

„… Zerfall derselben an Virulenz. Wo die Opera seria etwa in einer vorausgesetzten Weltordnung ethische …” „… ), 1839 (auf Französisch am Théâtre de la Renaissance) und 1846 (Opéra) belegt.1 Flaubert wählt also eine …” „… Unterscheidung zwischen den Nebeln des Nordens und dem klaren Licht des Mittelmeerraums etabliert: L’opera di …”

3. Mimesis und Simulation: Die Oper der Philosophen S. 153-262

„… les opéras von 1677, zugleich ein früher Beleg für den Terminus opera in seiner Bedeutung ›Oper‹ (und …” „… : Schneider/Wiesend 2006, 29. 3. Mimesis und Simulation: Die Oper der Philosophen 154 Insbesondere die später Opera …” „… ) Gesellschaft ermöglicht. Die später einsetzende Opera buffa übernimmt teils eine ähnliche Funktion in Bezug auf …”

doi.org/10.5771/9783968210216

Sabine Meine, Daria Perocco - Barbara Strozzi (1619–1677)

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Sabine Meine (ed.), Daria Perocco (ed.)

Barbara Strozzi (1619–1677)

Series: Studien und Materialien zur Musikwissenschaft

Volume 133 2024

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Bibliographie (Auswahl) (Selected) Bibliography S. 287-302

„… , https://cantataitaliana.it/Con che soavità. Studies in Italian opera. Songs and duets (1580–1649), ed. Tim Carter e Ian …” „… (The Italian cantata in the Seventeenth century 2),Faksimile, New York: Garland, 1986.Ferrari …” „… Vignali da Rivaruolo. Opera Prima dedi‐cati all’illustrissimo & eccellentissimo Signor Duca di Sabioneta …”

Sabine Meine Barbara Strozzi (1619–1677) – Music and Discourse in Seicento Venice. An introduction S. 23-34

„… close exchange with the opera,but only partially accessible to the already numerous visitors to Venice …” „… parts ofOpera 1 to 8 (Opus 4 is missing) are published in facsimile by Cornetto Verlag Stuttgart,and …” „… Ellen Rosand has also compiled Opera 2 to 8 in a facsimile edition: Rosand, Ellen(ed.): Cantatas by …”

Curricula vitae S. 303-305

„… musicology in Padua university andstudies Italian opera with a particular focus to Venetian “drama per musica …” „… Strutture del libretto d'opera comica nella seconda metà delSettecento. She has been full professor of …” „… music. Author of the award-winning Emblems of Eloquence: Opera and Women’s Voices in …”

Claire Fontijn Solmization Puns in an Arietta from Barbara Strozzi’s Opus 2 S. 197-212

„… , Tre, e Quattro, di Francesco Vignali da Rivaruolo. OperaPrima dedicati all’illustrissimo …” „… wordsare the six solfege syllables of a hexachord. The admirer’s, by contrast, are in theItalian language …” „… series of solfege syllables simultaneously takes ona secondary meaning in Italian: a solmization pun. For …”

Wendy Heller Humor and Hyperbole: Strozzi, Tarabotti, and the Performance of Female Rhetoric in Seicento Venice S. 181-196

„… una, due, e tre voce, opera terza (Venice, 1654) provides a brief glimpse ofthe composer’s humorous …” „… of Eloquence: Opera and Women’s Voices in Seventeenth-Century Venice(Berkeley and Los Angeles …” „… a cosmopolitan city alive withart and intellectual debate, at a time when opera was becoming popular …”

Sabine Meine Barbara Strozzi (1619–1677) – Musik und Diskurs im Venedig des Seicento. Zur Einführung S. 7-22

„… sowie in1 Es liegen für die meisten Opera Faksimile-Editionen und praktische Ausgaben vor: Just2019 …” „… . https://cordonatoeditions.com. Vgl. den Beitrag der Verlegerin CandaceMagner in diesem Band. Weite Teile der Opera 1 bis 8 sind …” „… im Cornetto Verlag Stuttgart alsFaksimile-Druck verlegt, zudem hat Ellen Rosand die Opera 2 bis 8 in …”

Inga Mai Groote Music in the sociability of the accademie: “contese”, “veglie”, “deliri” and their context S. 47-64

„… , theconnection with librettists and opera via the Incogniti form a special accent, but theliterary treatment of …” „… ; Wendy Heller, Emblemsof Eloquence: Opera and Women’s Voices in Seventeenth-Century Venice …” „… Opera, c. 1640–1658, Ph.D. Diss., Univ. of North Texas 2018 (chap.VII), and on other literary texts …”

Hendrik Schulze Barbara Strozzi and the Discourse on Poetics of Cantata: Opp. 7 and 8 and their Contribution to a Virtual Debate About Genre S. 229-248

„… almost an operaticaspect to it; any listeners or readers familiar with contemporary opera, and …” „… . These ariette are hence not just opera-like arias – for which, in the 1650s, they would be much too long …” „… Virtual Debate About Genre1Hendrik SchulzeJust as opera, much of the genesis of the genre of cantata took …”

Antje Tumat Politisch? Poetisch? Persönlich? Barbara Strozzis Il lamento zwischen Selbstausdruck und politischer Positionierung S. 249-270

„… (The Italian cantata in the Seventeenth century 2), Faks., New York:Garland, 1986, S. 129f.20 Charles …” „… Testa, Italian Academies and their Networks, 1525–1700, From Local to Global,Basingstoke: Palgrave …” „… Macmillan US, 2015, S. 160–162. Vgl. auch The Italian Academies1525–1700. Networks of Culture, Innovation …”

Michael Klaper Cosa sappiamo di Francesco Cavalli come compositore di cantate? S. 213-228

„… èstata presa da un’opera oppure no?).4 Su questo gruppo di composizioni si veda Michael Klaper, “Text und …” „… infatti attribuibili a lui, dato che risultano essere arie d’opera dialtri compositori veneziani come …” „… (c. 1630‒1680): Documents and Sources of a Ca‐reer in Seventeenth-Century Venetian Opera”, Royal …”

Joachim Steinheuer Barbara Strozzis Il primo de‘ madrigali und Nicolò Fonteis Bizzarie poetiche: Musik zu den ausgefallenen Gedichten von Giulio Strozzi S. 99-180

„… ragionela prima opera, che, come donna, troppoarditamente mando in luce, riverente‐mente consacrarla …” „… : GaryTomlinson (Hrsg.), ItalianSecular Song, Bd.7, N.Y./L. 1986, S. 177–244 sind nur vereinzelte Stücke aus den …”

Simona Bortot Voci femminili nella Venezia del Seicento. Tradizione, progressi e contraddizioni nella dialettica fra i sessi S. 65-78

„… etl’eccellenza delle donne, in Women in Italian Renaissance Culture and Society, Edited byLetizia Panizza, Oxford …” „… supporto alla female agency. Pensiamo solo a cosa dovetterappresentare per la concreta operatività di una …”

doi.org/10.5771/9783487424781

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