Writing the History of "Ottoman Music"

doi:10.5771/9783956507038

Writing the History of "Ottoman Music"

Reihe: Istanbuler Texte und Studien (ITS)

Band 33 1. Auflage 2015

CC-BY Vollzugriff

doi.org/10.5771/9783956507038
ISBN print: 978-3-95650-094-7
ISBN online: 978-3-95650-703-8
Ergon, Baden-Baden Ergon, Baden-Baden

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Abstract

Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research

Schlagworte

Osmanisches Reich Türkei Musikgeschichte

Kapitel Ausklappen | EinklappenAutorenSeiten
1–6 Titelei/Inhaltsverzeichnis 1–6
7–12 Introduction Martin Greve Martin Greve 7–12
13–74 1. Writing the History of Ottoman Music 13–74
- 13–32 Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Bülent Aksoy Bülent Aksoy 13–32
- 33–50 Concepts of Western and Ottoman Music History Ralf Martin Jäger Ralf Martin Jäger 33–50
- 51–56 Thoughts and Suggestions on Writing Turkish Music History Ruhi Ayangil Ruhi Ayangil 51–56
- 57–74 Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Ersu Pekin Ersu Pekin 57–74
75–166 2. Periodization of Ottoman Music 75–166
167–210 3. History of Anatolian Folk Music 167–210
- 167–176 The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Arzu Öztürkmen Arzu Öztürkmen 167–176
- 177–194 An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Okan Murat Öztürk Okan Murat Öztürk 177–194
- 195–210 Ottoman Türkü Süleyman Şenel Süleyman Şenel 195–210
211–246 4. The Reconstruction of Historical Ottoman Music 211–246
- 211–230 Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Şehvar Beşiroğlu Şehvar Beşiroğlu 211–230
- 231–240 Reconstructing Western “Monophonic” Music Andreas Haug Andreas Haug 231–240
- 241–246 Is an Echo of Seljuk Music Audible? A Methodological Research Recep Uslu Recep Uslu 241–246
247–264 Bibliography 247–264
265–274 Contributors 265–274

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