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Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) / Glossary
Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) / Glossary
Contents
Chapter
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Page
1–14
Titelei/Inhaltsverzeichnis
1–14
Details
15–26
Introduction
15–26
Details
27–184
Part One
27–184
27–66
I The Sources
27–66
Details
67–74
II Historical Overview
67–74
Details
75–134
III Catalogue of Secular Compositions
75–134
Details
135–156
IV Composers
135–156
Details
157–184
V The Social Context – The Cultural Environment
157–184
Details
185–308
Part Two
185–308
185–260
I Genres of Secular Music
185–260
Details
261–286
II Echoi and Makams – Rhythmic Cycles and Usûls
261–286
Details
287–308
III The Use of Byzantine Notation in Secular Melodies
287–308
Details
309–314
Summary
309–314
Details
315–326
Bibliography
315–326
Details
327–330
Glossary
327–330
Details
331–340
Appendix (Table)
331–340
Details
341–360
Plates
341–360
Details
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Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) , page 327 - 330
Glossary
Autoren
Kyriakos Kalaitzidis
DOI
doi.org/10.5771/9783956506734-327
ISBN print: 978-3-89913-947-1
ISBN online: 978-3-95650-673-4
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doi.org/10.5771/9783956506734-327
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