III The Use of Byzantine Notation in Secular Melodies - Nomos eLibrary

Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) / III The Use of Byzantine Notation in Secular Melodies

Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) / III The Use of Byzantine Notation in Secular Melodies

Inhalt
- Kapitel Ausklappen | EinklappenSeiten
- 1–14 Titelei/Inhaltsverzeichnis 1–14
- 15–26 Introduction 15–26
- 27–184 Part One 27–184
  - 27–66 I The Sources 27–66
  - 67–74 II Historical Overview 67–74
  - 75–134 III Catalogue of Secular Compositions 75–134
  - 135–156 IV Composers 135–156
  - 157–184 V The Social Context – The Cultural Environment 157–184
- 185–308 Part Two 185–308
  - 185–260 I Genres of Secular Music 185–260
  - 261–286 II Echoi and Makams – Rhythmic Cycles and Usûls 261–286
  - 287–308 III The Use of Byzantine Notation in Secular Melodies 287–308
- 309–314 Summary 309–314
- 315–326 Bibliography 315–326
- 327–330 Glossary 327–330
- 331–340 Appendix (Table) 331–340
- 341–360 Plates 341–360
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Post-Byzantine Music Manuscripts as a Source for Oriental Secular Music (15th to Early 19th Century) , Seite 287 - 308

III The Use of Byzantine Notation in Secular Melodies

Autoren

Kyriakos Kalaitzidis

DOI
- doi.org/10.5771/9783956506734-287
- ISBN print: 978-3-89913-947-1
- ISBN online: 978-3-95650-673-4
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