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State Martyr / 4 Cultural, Social and Political Context of the Event of Political Violence
State Martyr / 4 Cultural, Social and Political Context of the Event of Political Violence
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1–14
Titelei/Inhaltsverzeichnis
1–14
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15–39
1 Introduction
15–39
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1.1 The Event of Political Violence
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1.2 Status Quaestionis
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1.3 The State Martyr Figure
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1.4 Organization of the Investigation
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40–89
2 A Discourse Analytical Approach to Political Violence
40–89
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2.1 The Representation of Violence in the Context of Political Struggle
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2.2 Narratives of Sovereignty and Rebellion
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2.3 Hegemonic and Subversive Uses of the Martyr Figure
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2.4 The Discourse Analytical Approach
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2.5 Performativity of Discursive Practices
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2.6 Unity of the Discursive Formation and Methodological Framework
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90–130
3 Signatures of the Martyr Figure
90–130
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3.1 The Martyr Figure as a Counterpart of the Sovereign
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3.2 Sacrifice, Scapegoat, Martyrdom
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3.3 Emergence of the Martyr Figure
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3.4 Institutionalization, Militarization, and Nationalization of the Martyr Figure
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131–181
4 Cultural, Social and Political Context of the Event of Political Violence
131–181
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4.1 The Rhetoric of Sacrifice During the Risorgimento and the Resistenza
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4.2 1948–1978: Thirty Years of Italian Political History
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4.3 Emancipation and Political Violence in the «Years of Lead»
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4.4 The Moro Case: History and Conspiracy
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182–247
5 Construction of a Willing Martyr
182–247
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5.1 Opposing Narratives and Representations: Red Brigades Versus Italian State Versus Aldo Moro
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5.2 The Image of Moro Before the Kidnapping
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5.3 16 March 1978: First Reactions to the Kidnapping
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5.4 Framing «the People» and «the Enemy»: Construction of National Identity
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5.5 The Image of the Coming Martyr
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248–305
6 Moro’s Voice and its Annihilation
248–305
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6.1 Sanctity of Human Life
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6.2 Reduction to Bare Life
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6.3 Grand Finale: Consolidation of the State Martyr
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306–362
7 Memorialization Practices and Memory Struggle
306–362
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7.1 Contested Memory and Practices of Memorialization in the Public Space
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7.2 Literary Interventions
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7.3 Moro’s Image on Television and in Italian Cinema
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7.4 Beatification Process
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363–382
8 How to Narrate and Represent Political Violence
363–382
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8.1 Discourse and Cultural Analysis
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8.2 Performativity and Signatures of the Martyr Figure
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8.3 The Moro Case
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8.4 Towards an Aesthetics of Resistance
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383–384
List of Figures
383–384
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385–408
Bibliography
385–408
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409–410
Filmography
409–410
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411–417
Register
411–417
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State Martyr , page 131 - 181
4 Cultural, Social and Political Context of the Event of Political Violence
Autoren
Baldassare Scolari
DOI
doi.org/10.5771/9783845299372-131
ISBN print: 978-3-8487-5761-9
ISBN online: 978-3-8452-9937-2
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doi.org/10.5771/9783845299372-131
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