Learning from a Monastic Musician
Masters of Chant and the Function of Ritual Music in the Tibetan Bön Tradition
Zusammenfassung
Dieses Buch bietet nicht nur wertvolle musikethnologische Erkenntnisse über die Ritualmusik der tibetischen Yungdrung-Bön-Tradition. Es ist zugleich eine außergewöhnliche Fallstudie, in der Christiane Strothmann ihre langjährige Zusammenarbeit mit dem tibetischen Klostermusiker und Gelehrten Geshé Dawa Namgyal Kharnatsang im indischen Exilkloster Menri fesselnd schildert. Das Buch gibt Einblicke in die Funktionsweise der rituellen Melodien des Bön und enthält kultursensible, persönliche Schilderungen von Strothmanns Weg zur Entdeckung ihrer Methode des „Lesens von Ritual", die sich aus der Aufforderung ihres Forschungspartners entwickelte, „einfach nur mal hinzuschauen".
Abstract
This book not only offers valuable ethnomusicological insights into the ritual music of the Tibetan Yungdrung Bön tradition. At the same time, it is an extraordinary case study in which Christiane Strothmann captivatingly describes her many years of collaboration with the Tibetan monastic musician and scholar Geshé Dawa Namgyal Kharnatsang in the Indian exile monastery of Menri. The book offers insights into the workings of Bön ritual melodies and includes culturally sensitive, personal accounts of Strothmann's journey to discover her method of 'reading ritual', which developed from her research partner's invitation to 'just look at it!'.
Schlagworte
Bon ritual melodies Bön-Ritualmelodien Bon tradition Bön-Tradition chant Ethnomusikologie ethnomusicology Gesang Indian exile Menri monastery Geshé Dawa Namgyal Kharnatsang monastic music Indisches Exil-Kloster Menri rituals klösterliche Musik Rituale Tibetan Yungdrung Bon tradition Tibet tibetische Yungdrung Bön-Tradition- 1–2 Introduction 1–2
- 505–520 Bibliography 505–520
- 529–546 Glossary 529–546
- 547–554 List of Images 547–554
- 555–592 Appendix 555–592
13 Treffer gefunden
- „... context is a particular section from the “Trophur” ritual,specifically the setting of the “middle boundary ...” „... Part IIIWays to meaning in ritual music and its environment:Ritual ReadingThis part of the study ...” „... monks. The younger monks were not dressed in their robes butin specific “costumes” whose ritual or ...”
- „... Part IDirect teachings from Kharnatsang:Aspects of performing Bön ritual musicChapter 5Musical ...” „... . The performanceitself, however, does not consist of this recitation alone. Thus, knowinga ritual text ...” „... formsDuring my stay in Menri, I learned that when investigating a ritual prac-tice, onemust not assume that ...”
- „... Chapter 1Introduction to the studyOver the past century, the ritual music of Tibetan Buddhism has ...” „... been possible to systemat-ically describe the structure and function of Tibetan ritual music in ...” „... .2However, for ritual music, the situation appears to be different. Corre-spondingly, only a ...”
- „... specificationas belonging to any certain class of rituals.In this work, I will introduce the different ké ...” „... assumed that Tibetan ritual music was notmeant to be recorded at all, so I had kept my expectations of ...” „... ritual music. Furthermore, it appeared tome that he himself did not carry out the recording work just in ...”
- „... conduct the greatassembly of monks during the big tantric rituals.Tsongkapa གཙོང་ཁ་པ། gtsong khapa Founder ...” „... practicecham འཆམ། 'cham Ritual dance, mask dancechi ི། phyiCommonly translated “outer.” Meaning according to ...” „... Glossarychi-nang-sang-sum ི་ནང་གསང་གསུམ།phyi nanggsanggsumouter-inner-secretchö-pa མཆོད་པ། mchod pa Ritual assistantdamaru ...”
- „... insightinto the somewhat emic persepctive of an umdze on the ritual music ofYungdrung Bön, it would have been ...” „... fact,shewas one of Kharnatsang’s students) going toRatnaMenling and carry-ing out research on ritual music as ...” „... about aspects of the rit-ual music he had never reflected upon before. Although his openness tomy way of ...”
- „... Ritual Music in the Tibetan Bön TraditionMusik und Religion | 2MUSIK UND RELIGIONHerausgegeben von ...” „... of Chant and the Function of Ritual Music in the Tibetan Bön TraditionTectum VerlagMUSIK UND ...” „... DataStrothmann, ChristianeLearning from a Monastic MusicianMasters of Chant and the Function of Ritual Music in ...”
- „... youngnovice was a fortunate one.There he started his training in the rituals, chants, and the sacreddances of ...” „... rituals, chants, and sa-cred dances that Kharnatsang could acquire ritual skills to such a degreethat he ...” „... minor ritual performance of any kind. Every lay performance appointsan umdze to conduct that particular ...”
- „... and Ritual in Tibet. Berkeley: Uni-versity of California Press, 1978.Blondeau, Anne-Marie. “The mKha ...” „... ’ klong gsang mdos: Some Questionson Ritual Structure and Cosmology.” In New Horizons in Bon Studies.Bon ...” „... Transcendence: Tran-sitions in Music, Religion, and Ritual. Oxford: Oxford University Press,2016.Canzio, Ricardo ...”
- „... 9): lines of the ritual text. 15619 “A-ma yin yang” strophe 2 (yidam). S1) – s2): sil-nyen figure. D ...” „... 1) –d14): damaru pattern. L1) – L9): lines of the ritual text. 15720 “A-ma yin yang” strophe 3 ...” „... (khandro). S1) – s3): sil-nyen figure. D1)– d9): damaru pattern. L1) – L9): lines of the ritual text. 15821 ...”
- „... the Yungdrung Bön Ritual Tradition,” PDF by Christiane Strothmann and Geshé Dawa Nam-gyal Kharnatsang ...” „... notation of gyer-yang chants from the “Trophur” ritualA.12.1 Trowo: Setting an “Outer” Boundary to the ...” „... Originalnotationofgyer-yangchantsfromthe“Trophur”ritual577AppendixA.12.2 Phurpa: Setting the “Middle” Boundary (MC 9.2)Manuscript: Handwritten chant score ...”
- „... the monastery,which complicated my possible participation in rituals, the exactcourses of which were ...” „... with mu-sic to some degree. This is to identify those with musical talent and aninterest in the ritual ...” „... theMenri tradition. Thus, my interest in learning about the musical struc-tures underlying the ritual music ...”
- „... collaboration on theBön ritual music in Menri a few months before he passed away. The 34thMenri Trinzin Dawa ...”