Chapter Preview
- 72–80 Sons of Cain 72–80
- 93–160 Cosmopolitan Agencies 93–160
- 115–141 Sudden Death(s) 115–141
- 161–236 Transcultural Subjects 161–236
- 177–196 The Melodrama 177–196
- 237–294 Glocalising Hollywood 237–294
- 295–363 Undoing Genre 295–363
- 314–336 Hybridising Documentary 314–336
- 337–350 The Socialist Hybrids 337–350
- 364–366 Picture Credits 364–366
- 367–371 About the Authors 367–371
5 Treffer gefunden
- „... flows creates a «media scape» as a basis for the emergence of «imagined worlds» (33). African video ...” „... Game 1st Quality – the only «African» distributor, distributing only its own movies. GMC kicked off ...” „... Video Pro-3 I will use the terms Indian, Wahindi, and «African» as local categories to distinguish ...”
- „... analysis is shown by example of African-American queer-feminist filmmaker Cheryl Dunye’s The Watermelon ...” „... . The other is characterised as a mass-produced American cinema, a symbol of escapism and the ...” „... American cinema», as Raphaëlle Moine points out, using the example of French cinema of the 1950s (152–154 ...”
- „... African-American lesbian filmmaker (Cheryl, played by Cheryl Dunye) exercises her archival fever – by ‹discovering ...” „... ‹signifying› – Henry Louis Gates’ term for the interactively critical dialogism within the African-American ...” „... assumptions about the status of the representation; 5) examining the Afro-Brazilian religion umbanda not by ...”
- „... hygiene and purity in Western religions and the growing fear of impurity and disease the West projected ...” „... studio system and a paradigm shift in Anglo-American film studies since the 1970s paying less attention ...” „... transformation is a ‹typically American› quest for moral perfectionism, yet they remain isolated and marriage for ...”
- „... ‹stood in› for them as their body doubles. Hollywood and Ameri-can TV have continued to cast Mizrahim to ...” „... 1960s settlement policies of newly arrived North African and Middle Eastern Jews. In contrast to ...” „... ways that Israeli and American Orientalist representations have been deeply intertwined not only ...”