Supranational Horrors
Italian and Spanish Horror Cinema since 1968
Abstract
Supranational Horrors: Italian and Spanish Horror Cinema since 1968 moves beyond national cinema discourse in considering the horror production of two Southern European countries, Italy and Spain. Rui M. Trindade Oliveira examines cultural elements that films from these nations share, arguing that a fuller understanding of European horror is possible when we acknowledge the output of Italy and Spain as being interconnected, as possessing a supranational, common identity: “Italian-Spanishness.”
Schlagworte
Gothic horror cinema Italian giallo European horror cinema film industry- i–xiv Preface i–xiv
- 1–22 Introduction 1–22
- 191–200 Conclusion 191–200
- 201–218 Bibliography 201–218
- 219–224 Filmography 219–224
- 225–242 Index 225–242
- 243–244 About the Author 243–244