Charles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory
Abstract
Charles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory traces the formation of the discipline of harmony at the early Paris Conservatory, focusing on the 1801 treatise of Charles-Simon Catel. By examining the forces that shaped Catel's text, Michael J. Masci reconstitutes the contours of the dynamic “disciplinary network” that determined the content and scope of the study of harmony in Paris, expanding our understanding of practical harmony traditions.
Schlagworte
Paris Conservatory Charles-Simon Catel history of harmony harmony treatises Victor Dourlen music theory history partimenti- Kapitel Ausklappen | EinklappenSeiten
- 1–14 Introduction 1–14
- 143–214 Part III: The Transmission and Midcentury Revision of Disciplinary (and Generic) Structures 143–214
- 215–220 Conclusion 215–220
- 221–224 Appendix A 221–224
- 225–228 Appendix B 225–228
- 229–230 Appendix C 229–230
- 231–234 Bibliography 231–234
- 235–256 Index 235–256
- 257–258 About the Author 257–258