Abstract
What is the significance of the visual representation of revolution? How is history articulated through public images? How can these images communicate new histories of struggle?
Imprints of Revolution highlights how revolutions and revolutionary moments are historically constructed and locally contextualized through the visual. It explores a range of spatial and temporal formations to illustrate how movements are articulated, reconstituted, and communicated. The collective work illustrates how the visual serves as both a mobilizing and demobilizing force in the wake of globalization. Radical performances, cultural artefacts, architectural and fashion design as well as social and print media are examples of the visual mediums analysed as alternative archives that propose new understandings of revolution. The volume illustrates how revolution remains significant in visually communicating and articulating social change with the ability to transform our contemporary understanding of local, national, and transnational spaces and processes.
Schlagworte
Social Movements Protest Politics, Culture and Society Visual Culture Art Activism, Social Movements and Protest Conflict, Change and Precarity History Cultural Studies Memory- i–vi Preface i–vi
- 259–280 Bibliography 259–280
- 281–282 Further Reading 281–282
- 283–292 Index 283–292
- 293–296 About the Contributors 293–296