Abstract
In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how Black rhetors use writing about God to create a language that reflects African Americans’ shifting subjectivity within the American experience. This book highlights how the Black God trope and Black Nationalist religious rhetoric function as an embodied rhetoric. Collins also addresses how the Black God trope functions as a gendered critique of white western patriarchy, to demonstrate how an ideological position like womanism is voiced by authors using the Black God trope as a means of public address. Scholars of rhetoric, African American literature, and religious studies will find this book of particular interest.
Schlagworte
Literary Theory Black Church African American Literature Black Studies Rhetoric and Composition- Kapitel Ausklappen | EinklappenSeiten
- i–xii Preface i–xii
- 1–18 Introduction 1–18
- 125–130 Bibliography 125–130
- 131–138 Index 131–138
- 139–140 About the Author 139–140