Abstract
Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons.
In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation.
Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.
Schlagworte
Paganini Mozart Stravinsky Tomasini Shostakovich Prokofiev Schoenberg Schumann Viotti Vivaldi Bartok Beethoven Brahms Brunetti Haydn virtuoso orchestra strings symphony Mendelssohn classical music four seasons learn classical music- i–xviii Preface i–xviii
- 115–136 8 Pillars of Modernism 115–136
- 171–172 Notes 171–172
- 173–174 Selected Reading 173–174
- 175–176 Selected Listening 175–176
- 177–184 Index of Names 177–184
- 185–185 About the Author 185–185